Word: technicolored
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Dates: during 1970-1979
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Rather than pretend that this material makes any naturalistic sense, Director Mark Rydell (Cinderella Liberty) shrewdly goes for broke. The Rose has the same visual excess and garish romanticism as the oldtime Technicolor backstage sagas. When Rose gets into a yelling match with her manager (a somewhat forlorn Alan Bates) or plays in bed with her pickup of a lover (a frisky, sexy Frederic Forrest), the closeups are steamy and relentless. When Rose lands by helicopter at her nighttime stadium concerts, it looks like the arrival of the mother ship in Close Encounters (both films were shot by Vilmos Zsigmond...
Meetings with Remarkable Men is the hip '70s answer to Hollywood's oldtime biblical kitsch. Once Cecil B. DeMille re-created the glory days of Moses in glorious Technicolor; now Director Peter Brook is giving the same treatment to G.I. Gurdjieff (1877-1949), the philosopher whose Zen-like quest for spiritual truth has greatly influenced the modern human-potential movement. Though The Ten Commandments and Remarkable Men are theologically antithetical, they are cinematic first cousins. Both films suffer from an excess of piety, a shortage of humor and an infatuation with desert vistas. Still, DeMille's muscular...
...going to get through the next 4% hrs. because it's too early for a martini, and besides, you want to throw up. So you reach for that little paper bag in the seat-back pocket, and, hello! What's this? A slick, thick, technicolor magazine throbbing with lively articles on travel, finance, health, law, politics. You become so engrossed in a piece on the revitalized riverfront in SAT that you don't notice when the left wing...
They whirl around the discotheques, the baths, and the men's room at Grand Central Station, with their clear plastic belts and work boots and Technicolor T-shirts, till Sutherland overdoses and Malone disappears into Long Island Sound. Passion is a cancer; eros and thanatos, interwoven...
...picture is actually two pictures, an old-fashioned double feature consisting of a black-and-white boxing story, Dynamite Hands, and a Technicolor backstage musical, Baxter's Beauties of 1933. Both are supposed to be program features, that is, routine fare produced by the same mythical studio, Warren Bros., an outfit definitely to be confused with Warner Bros...