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...Great Missouri Raid (Paramount) is a pseudohistorical western that whitewashes the Jesse James gang in bright Technicolor. An earlier version of the desperado's career, 1939's moneymaking Jesse James, depicted the James boys as victims of a land-grabbing railroad which forced them into a life of crime. In the new vogue for brewing westerns out of the backwash of the Civil War, they become Southern martyrs hounded by a vindictive Yankee major...

Author: /time Magazine | Title: Cinema: Way Out West | 2/19/1951 | See Source »

King Solomon's Mines. The plot (with Deborah Kerr and Stewart Granger) is easy to see through, but the Technicolor shots of African animals and vistas are well worth looking at (TIME...

Author: /time Magazine | Title: Cinema: CURRENT & CHOICE, Feb. 19, 1951 | 2/19/1951 | See Source »

King Solomon's Mines. The plot (with Deborah Kerr and Stewart Granger) is easy to see through, but the Technicolor shots of African animals and vistas are well worth looking at (TIME...

Author: /time Magazine | Title: Cinema: CURRENT & CHOICE, Feb. 12, 1951 | 2/12/1951 | See Source »

King Solomon's Mines. Darkest Africa in brightest Technicolor reduces the hokum of H. Rider Haggard's plot to a minor hardship; with Deborah Kerr, Stewart Granger (TIME...

Author: /time Magazine | Title: Cinema: CURRENT & CHOICE, Feb. 5, 1951 | 2/5/1951 | See Source »

...domestic pictures are uninspiring. The personal appearance of Danny Kaye lends class to the Technicolor version of Call Me Mister, which opened yesterday at the Roxy, Seventh and 50th. Betty Grable and Dan Dailey grace the "75,000 inch Technicolor screen" in the former Broadway success; and Yma Sumac, the Dunhill dancers, and Hill Baird's marionettes give the stage show remarkable variety...

Author: NO WRITER ATTRIBUTED | Title: Gotham Lights Beckon Exam Weary Students | 2/1/1951 | See Source »

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