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Word: technicolored (lookup in dictionary) (lookup stats)
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...there they figure they can survive by gnawing on their own backlog." As a matter of fact, about 10% of current big-studio production, according to one educated guess, are new versions of old successes. The fashion in these remakes is to slap on plenty of Technicolor, sign up a couple of famous players, hire a band to play good and loud-and call it all "A Great New Musical...

Author: /time Magazine | Title: Cinema: The New Pictures, Nov. 19, 1956 | 11/19/1956 | See Source »

Eddy Duchin Story, in Technicolor, continuous from 1:30 p.m., at the U.T. Also, The Amazon Trader...

Author: NO WRITER ATTRIBUTED | Title: WEEKEND EVENTS | 10/27/1956 | See Source »

...foggy moors and smoky cities of England it came, music that sang of Technicolor landscapes and of love that was tender, contented, and safely married. Every song was almost without flaw, as in a languorous dream, rich and edgeless as whipped cream, and always giving a hint of something a little more respectable than a mere pop tune, as the massed strings soared to the discrete pulsation of a harp or a guitar. And sometimes the music actually was more respectable, as when it was an orchestral arrangement of an operatic aria. This was the music of Annunzio Paolo Mantovani...

Author: /time Magazine | Title: Music: Massed Strings | 10/15/1956 | See Source »

...movie is advertised as featuring the chorus, orchestra, and ballet of the Bolshoi Opera Theatre, the ballet seems to have disappeared from this version. But Moussorgsky's music, drawn mostly from Russian folk songs, is exciting and plentiful. The color, too, is excellent--not like the red and blue "technicolor" of older Russian films. There is another Soviet film on the bill, an explication de peinture called "The Sistine Madonna," which, fortunately, is not long...

Author: By Jonathan Beecher., | Title: Boris Godunov | 10/1/1956 | See Source »

...Technicolor, not VistaVision can conceal the overripe condition of the subject; and the silly new script ("Your rapid maneuvers leave me breathless indeed"), along with a down-the-same-old-rut production, is ill-calculated to restore life. The principals, Kathryn Grayson and a European tenor called Oreste, sing about as well as most people do in the movies, though at times the audience may find itself wishing that Oreste, who can holler pretty loud when he's a mind to, had two names and only one lung...

Author: /time Magazine | Title: Cinema: The New Pictures, Sep. 24, 1956 | 9/24/1956 | See Source »

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