Word: technicolored
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...more at home in the acrobatics of his part than in its subtleties, and occasionally seems tempted to reach for a Tommy gun instead of a sword. Yet, like the others, he often responds to Director Mario Camerini's neat combination of archaic flavor and modern pace. Technicolor, deft costuming and set decoration help immeasurably in creating the dreamlike quality of mankind's heroic...
...Bogart plays his role pretty straight; Aldo Ray is disconcertingly elfin for an alleged sex fiend; and Ustinov's mugging seems overdone. Basil Rathbone and John Baer wander onscreen long enough to look properly villainous. Joan Bennett and Gloria Talbott add their pretty confusions to the artificial turmoil. Technicolor gives the picture a fairly handsome mounting, but nothing can rescue the story from too much talk and too little...
...tragicomedy of Katharine the Shrewd and Kate the Romantic is played out against the overpowering Technicolor backdrop of Venice. At first. Katharine is all businesslike competence: she industriously snaps photos, craftily measures out tips, keeps her basilisk eye fixed warily on the untrustworthy Italians. But then the Venetian magic begins; she throws open her pensione window to a vista of blue sky, green water and honey-colored walls. She walks along the canals, dazed by the murmurous dusk, by the majesty of campanile and palace, by the whisper of a distant guitar. Few actresses in films could equal Hepburn...
...twice on TV; its theme song brays steadily from the nation's jukeboxes; coonskin hats, flintlock muskets and some 100 other Crockett-inspired products flood U.S. stores (TIME, May 23). Now at last, the film has reached movie theaters, but its belated arrival is far from an anticlimax. Technicolor and the wide screen combine to make this classic tale of derring-do bigger and better than ever. The episodic story has been shortened by 40 minutes but not changed: Davy still fights the Creek War, gets elected to Congress, dies gloriously in the Alamo. Newcomer Fess Parker plays...
Chief Crazy Horse (Universal-International) pays a Technicolor installment on Hollywood's mountain of debt to the American Indian: after years of getting clobbered, the redskins this time win three battles in a row over the U.S. cavalry. What's more, the embattled Sioux are given Victor Mature as their peerless leader, but sad to say, when silhouetted against the sky in war paint and feathers, Mature looks more like an aggrieved turtle than an eagle of the plains...