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Word: technicolored (lookup in dictionary) (lookup stats)
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...religious films ever give their saints and martyrs more than a light brush-off in technicolor and extravagance. Monsieur Vincent, a French film produced in 1948, is a notable exception. With the subtle acting of Pierre Fresnay and the excellent photography of Claude Renoir, the film pictures the life of Saint Vincent de Paul simply and movingly...

Author: By Dennis E. Brown, | Title: Monsieur Vincent | 4/14/1954 | See Source »

...nine weeks Fox cameramen toured Britain, shooting Technicolor background footage of the island's vistas and keeps-Caernarvon, Warwick, Braemar, Eilean Donan and Alnwick (which in the picture serves for Arthur's Camelot). The Scottish village of Dornie, used for a viking stronghold, was mostly rebuilt on the Fox lot for the big siege scene...

Author: /time Magazine | Title: Cinema: The New Pictures, Apr. 12, 1954 | 4/12/1954 | See Source »

...captain of the sultan's guard (Jeff Chandler) is a fellow Rhonda knew back in Salem, Mass. And so the harem-scare'em ends with Jeff at the head of a revolt ("Come on, slaves, what have we got to lose?") that leaves Omar wriggling in Technicolor on a meathook...

Author: /time Magazine | Title: Cinema: Harem-Scare'em | 4/12/1954 | See Source »

...picture's musical score of popular classics is interpreted with spirit on the sound track by Pianist Claudio Arrau and Violinist Michael Rabin. There are also some Alps in the background, Technicolor and plenty of overdecorated interiors. Elizabeth Taylor wears beautiful clothes, and Vittorio Gassman, when he plays the fiddle in a ski suit, is the most dashing thing of the kind since the lovesick violinist in the perfume...

Author: /time Magazine | Title: Cinema: The New Pictures, Apr. 5, 1954 | 4/5/1954 | See Source »

Forbidden (Universal-International) is not to be confused with Dangerous Mission just because it has almost exactly the same plot. This one is set not in Glacier Park but in "the seething city of Macao" on China's southeast coast; and instead of Technicolor it provides a scarlet situation. The witness (Joanne Dru) is not only on the lam; she is also the "house guest" of an eminent gambler of those parts (Lyle Bettger) who for pure viciousness makes Vincent Price look like a corn-silk addict. The private eye in the caper is Tony Curtis, who not only...

Author: /time Magazine | Title: Cinema: Double Feature | 3/22/1954 | See Source »

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