Word: technicolorful
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Dates: during 1950-1959
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...Garters (Paramount) is probably the first musical in history in which the music can hardly be heard because the Technicolor is so loud. The first scene is all yellow-egg yellow; the sky is yellow and the earth is yellow. Apparently the studio is trying to get across the point that it is a clear...
...their king. But greed and lust soon pull the kingdom down, and the stage is set for love to conquer all. To satisfy the censors, somebody has to take the rap for Burt's misdemeanors, but by this time the audience will probably be too heavily stunned with Technicolor and improbabilities to wonder why the villain should turn out to be German militarism...
...Strauss spoke, the fog lifted and the sun shone, drawing an audible gasp from the crowd and changing the scene from monochrome to bunting-bright Technicolor. Mamie Eisenhower and her party walked out on the narrow christening platform. High overhead, perched on a girder, a yard worker sang out, "Be sure and hit it hard. Mrs. Eisenhower." Mamie did. The First Lady swung hard, smashed the chrome-sheathed bottle of champagne expertly against the bow and, as the big green and black boat began to move down the greased ways, she cried, "I christen thee Nautilus...
...leader is finally overcome in battle when the paratroopers, successfully dodging the Nazis in the desert, blunder into a minefield. Newcomer Susan Stephen makes an appealing foil for Ladd: she is peppery enough in the early reels, and sufficiently soft in time for the clinch. The Technicolor is generally excellent. Leo Genn, as a spit & polish British major, has an amusing scene; encountering the informal crew of a U.S. bomber, he snaps to attention, explains: "I just thought someone ought to salute somebody around here...
...film's faithfulness to Shakespeare. As this suggests, Julius Caesar is perhaps even more notable for what it is not than for what it is. The film leans over backward to avoid any suggestion of spectacle, and there are no panoramic shots of Rome, no overblown crowd scenes, no technicolor sunsets to draw attention from beauty of language and intensity of feeling. Although the scenario discards some minor scenes, few of the cuts are unkind, and the film happily needs credit no-one with "additional dialogue." There is no pretentious introduction to ease the audience into Shakespeare, and with Brando...