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Word: technicolorful (lookup in dictionary) (lookup stats)
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King Solomon's Mines. Darkest Africa in brightest Technicolor reduces the hokum of H. Rider Haggard's plot to a minor hardship; with Deborah Kerr and Stewart Granger (TIME...

Author: /time Magazine | Title: Cinema: CURRENT & CHOICE, Jan. 29, 1951 | 1/29/1951 | See Source »

King Solomon's Mines. Darkest Africa in brightest Technicolor reduces the hokum of H. Rider Haggard's plot to a minor hardship; with Deborah Kerr and Stewart Granger (TIME...

Author: /time Magazine | Title: Cinema: CURRENT & CHOICE, Jan. 22, 1951 | 1/22/1951 | See Source »

King Solomon's Mines. Darkest Africa in brightest Technicolor reduces the hokum of H. Rider Haggard's plot to a minor hardship; with Deborah Kerr and Stewart Granger (TIME...

Author: /time Magazine | Title: Cinema: CURRENT & CHOICE, Jan. 15, 1951 | 1/15/1951 | See Source »

Much of the picture is easily the best job yet done on the infantry fighting of World War II. In Technicolor photography that lent itself to little intercutting of real combat footage, Director Lewis Milestone has staged his battle scenes with jarring realism and vigor. By borrowing the brilliant camera technique of his own 1930 All Quiet on the Western Front, he has filmed them with sweep, surprise and rhythm...

Author: /time Magazine | Title: Cinema: The New Pictures, Jan. 15, 1951 | 1/15/1951 | See Source »

...musicomedy set in Tahiti (and filmed on Hawaiian locations). Esther plays a well-to-do Tahitian half-caste who meets, loses and finally gets a plantation heir (Howard Keel) newly arrived from Ohio. In the full flush of health, she glows in almost every tint of the Technicolor spectrum, swims not only on the water and under it but also (in a dream sequence) in the sky. In lieu of comedy, Actress Williams and Singer Keel laugh with unconvincing gaiety on the flimsiest excuse. The score consists of the kind of music that audiences whistle on their way into...

Author: /time Magazine | Title: Cinema: The New Pictures, Jan. 15, 1951 | 1/15/1951 | See Source »

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