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Word: technicolorful (lookup in dictionary) (lookup stats)
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Divorce. U.S. trustbusters won the first round of their fight to end Technicolor Inc.'s alleged stranglehold on the color-movie industry. The Eastman Kodak Co., charged with helping Technicolor to dominate the field by exclusive color film processing arrangements, signed a consent decree to make its patents available to all comers. Technicolor refused to sign the decree, may carry its fight to the courts...

Author: /time Magazine | Title: STATE OF BUSINESS: Facts & Figures, Dec. 6, 1948 | 12/6/1948 | See Source »

Here is a two-and-a-half hour cliche out of Hollywood, and it's in technicolor. Everything breathtaking that has ever been done before pops up in it sooner or later. But "The Three Musketeers" goes to such ludicrous extremes that it is hilarious. Every time something violent is about to come off, a short effective thunderstorm bursts upon the scene. The heroes are always smiling, and the villains always scowl. Nary a musketeer is scratched, while red-coated fiends are run through by the score. This all sounds tiresome, but the players operate with such incredible gusto that...

Author: By Donald Carswell, | Title: The Three Musketeers | 12/2/1948 | See Source »

...bandits, J. Carroll Naish does a fine eye-rolling caricature of the stock "Mexican general." He is greased-up, bulb-nosed, and hidden by eyebrows and mustache heavy enough to make a hair shirt. The dancers (Ricardo Montalban, Sono Osato, Ann Miller, Cyd Charisse) are easy to watch. The Technicolor makes the white horses and blue skies look wonderful, and most of the actors feverish...

Author: /time Magazine | Title: The New Pictures, Nov. 29, 1948 | 11/29/1948 | See Source »

Joan of Arc. Ingrid Bergman in a big, expensive, earnest retelling of a great story. Technicolor (TIME...

Author: /time Magazine | Title: Cinema: Current & Choice, Nov. 29, 1948 | 11/29/1948 | See Source »

...emphasize Miss Grable's mediocre dancing with his own slick routines. The supporting cast of June Havoc, Jack Oakie, and James Gleason couldn't be any better. Gag specialists have written a few high-voltage boffs into the script and the whole thing is packaged in some real nice technicolor. These are the merits. In spots they give the picture color and vitality. Where it falls horribly flat is in the story and in the overburden placed on the capabilities of the principle actors...

Author: By George G. Daniels, | Title: The Moviegoer | 11/22/1948 | See Source »

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