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...revival, you come in humming the score. Sondheim's famous opening tune for Forum--Comedy Tonight--is brilliantly refreshed by director Jerry Zaks into a circus of Technicolor bawdry. He parades all the fine, low comedians and, for a hilarious moment, some tragedians too. Like Zaks' revival of Guys and Dolls, this Forum is a celebration of shtick. If a gag was ever funny, from Plautus' time to ours, he'll spit on it and spin it until you have to laugh unashamedly...

Author: /time Magazine | Title: THEATER: THEY DO MAKE 'EM LIKE THAT | 4/29/1996 | See Source »

...1930s and early 40s, James Davis began working with plastic, fascinated with the new material's ability to reflect pools of light. Experimenting with this quirky, technicolor glare, Davis created films which shift from the geometry of work like Fischinger's towards a more mysterious use of light. His 1961 "Death and Transfiguration" uses light to create twisting forms which play over the similarly twisting torso of a man It's a strange, shifting film, unlike much else in the retrospective...

Author: By Sarah C. Dry, | Title: From Bauhaus to MTV: Forging the History of Abstract Film | 12/7/1995 | See Source »

...Elfman (Batman, Pee Wee's Big Adventure) and the rhapsodic Trevor Jones (The Last of the Mohicans, Cliffhanger), not to mention such still active veterans as Jerry Goldsmith (Basic Instinct), Ennio Morricone (Wolf) and, foremost among them, John Williams, whose 1977 score for Star Wars single-handedly revived the Technicolor genre, they form the core of Hollywood's new musical A-list...

Author: /time Magazine | Title: MUSIC: RUNNING UP THE SCORES | 9/11/1995 | See Source »

Luve is redder than the red, red rose--dear reader, it's turned a Technicolor shade. Poor old Robert Burns would gi'e a wee turn in his Scots grave if confronted by the all too earnest romping on "Rob Roy"'s highland stage. What is it about mediocrity of the sincerest kind that is so especially depressing? If you can't squeeze out the requisite tears over Liam Neeson's trials and tribulations, turn your thoughts to current mainstream moviedom and weep. "Rob Roy" is only symptomatic of a greater...

Author: By Natasha Wimmer, | Title: Neeson's Highlands Fall Romantically Flat | 4/20/1995 | See Source »

...Technicolor Pulp, Nelson's Jimi claims no high moral ground, calling himself neither martyr nor victim. He speaks from the position of nowhere, which keeps his statements pure: "I have no desire at all to be a rebel. I don't believe in anything enough to be a rebel." He may not be inspirational, but at least he's honest...

Author: By Judy E. Dutton, | Title: `Technicolor' Loser Nothing More Than Pulp | 3/3/1995 | See Source »

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