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Word: technicolorful (lookup in dictionary) (lookup stats)
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California Conquest (Columbia). Between 1825 and 1841, Mexico-ruled California was torn by internal strife, and Russia, France, England and the U.S. were trying to take over the territory. Dramatizing this little-known phase of history, California Conquest adds a dash of Technicolor and several dashes of dramatic license to the facts. Cornel Wilde is a romantic Spanish don who is in favor of U.S. annexation. To prevent the Russians from worming their way into the orange groves, he and tomboyish Teresa Wright work their way into the bandit forces of toothy, grinning Alfonso Bedoya...

Author: /time Magazine | Title: Cinema: The New Pictures, Jun. 23, 1952 | 6/23/1952 | See Source »

...African Queen. A prissy spinster (Katharine Hepburn) and a gin-swilling skipper (Humphrey Bogart) triumph over jungle heat, hardship and the hangman's noose in John Huston's Technicolor version of C. S. Forester's adventure yarn (TIME...

Author: /time Magazine | Title: Cinema: CURRENT & CHOICE, Jun. 23, 1952 | 6/23/1952 | See Source »

Lydia Bailey (20th Century-Fox), based on Kenneth Roberts' picaresque novel, is a Technicolor blend of Haitian history and Hollywood horse opera. Dale Robertson is cast as a dashing, mettlesome Baltimore attorney, who not only espouses the cause of Haitian independence against the French, but also gives a helping hand to blonde Lydia Bailey (Anne Francis), a Philadelphia girl who is engaged to evil Napoleonic Agent Charles Korvin. Disguised as a mulatto field hand, Robertson saves Lydia from jungle rot and rotters, guides her past Mirabeau's cutthroat maroons, and through the conflagration of Cap Francois...

Author: /time Magazine | Title: Cinema: The New Pictures, Jun. 16, 1952 | 6/16/1952 | See Source »

Ivory Hunter--Lions and tigers and everything, filmed in technicolor in Africa. At the RKO Memorial...

Author: NO WRITER ATTRIBUTED | Title: ENTERTAINMENT IN BOSTON AND CAMBRIDGE | 6/16/1952 | See Source »

...Narrow Margin proves what purists have been shouting for a long time--movies should move more and talk less. It also proves that it doesn't take technicolor, a million dollars, and an array of extras to make a picture that will sell. It only takes a good director and a smart editor...

Author: By Lawrence D. Savadove, | Title: The Narrow Margin | 6/16/1952 | See Source »

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