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Caesar and Cleopatra (J. Arthur Rank-United Artists) cost the British $3 to $5 million (by pressagent accounting), and will be peddled in the U.S. as a spectacle. As spectacle, this Gabriel Pascal production does itself proud-from stupendous Technicolor replicas of Ptolemaic Egypt down to intimate studies of the young Queen's décolletage. But all the munificent movie art does not conceal art of a rarer, riper kind: the dialogue for this superspectacle was written by a great master of prose and of wit, George Bernard Shaw. By & large, the playing is worthy of the dialogue...

Author: /time Magazine | Title: The New Pictures, Aug. 19, 1946 | 8/19/1946 | See Source »

...weather moviegoers are crazy over horses, music, slapstick, fancy dress, Technicolor and Bette Davis playing twins. Variety's totting up of midsummer winners at the box office...

Author: /time Magazine | Title: Cinema: Midsummer Box Office | 8/19/1946 | See Source »

...this and more-plus better-than-average dialogue and competent players (Dana Andrews, Susan Hayward, Brian Donlevy, Britain's Patricia Roc). Gnome-faced Hoagy Carmichael wanders lazily through the busy plot, picking his mandolin and singing four catchy, near-frontier ballads that he composed for the occasion. Technicolor works pure magic with the ires, the fist fights, trie Redmen, the pretty girls, the superb outdoor scenery...

Author: /time Magazine | Title: Cinema: New Picture, Aug. 5, 1946 | 8/5/1946 | See Source »

Smoky. Expert Technicolor treatment of the Will James story, starring Fred MacMurray and a piece of beautiful, black horseflesh (TIME, July...

Author: /time Magazine | Title: Cinema: New Picture, Aug. 5, 1946 | 8/5/1946 | See Source »

Smoky. Expert Technicolor treatment of the Will James story, starring Fred MacMurray and a piece of beautiful, black horseflesh (TIME, July...

Author: /time Magazine | Title: Cinema: Current & Choice, Jul. 29, 1946 | 7/29/1946 | See Source »

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