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...sheer magnificence, Hollywood has rarely produced anything that can compare with "The Private Lives of Elizabeth and Essex," the current attraction at the University Theatre. The costuming is brilliant, the sets impressive and seemingly authentic and the technicolor, which has been so cousistenly bad in the past, achieves a new and more than welcome reality. As is to be expected however, the personal triumph of Bette Davis as the ruthless but passion-torn Elizabeth is the high point of the picture. For this is the type of gutty part which other actresses shun, but in which Miss Davis seems...

Author: NO WRITER ATTRIBUTED | Title: The Moviegoer | 1/19/1940 | See Source »

...critical audience on their hands, the producers have done a painstaking job from start to finish, and have not been sparing with the money (as you doubtless are aware by now). The result--four solid hours of Civil War South, negro mammies, hoop skirts, and Clark Gable, all in technicolor--is mighty impressive. Vivien Leigh is absolutely all that could be asked in the way of charm, and Clark Gable, as everyone has known since the book was first published, fits Rhett Butler to perfection...

Author: NO WRITER ATTRIBUTED | Title: The Moviegoer | 1/8/1940 | See Source »

...Culver City. Until the night of Dec. 11, 1938 it was cluttered with old sets accumulated during 20 years of movie making. These sets were laboriously filled with waste and other inflammable materials, well soaked with kerosene. As darkness fell, the $26,000 bonfire roared sky-high while seven Technicolor cameras ground away. The first scenes of Gone With the Wind had been shot. A flat representing the Atlanta warehouse district was constructed in front of the old sets. In the light of the dying flames Myron Selznick, Hollywood's No. 1 agent, stepped over to his brother. With...

Author: /time Magazine | Title: Cinema: G With the W | 12/25/1939 | See Source »

...Days, Ter Tote de Weery Load. There is -sumptuous satire in the sets of the barbaric mansion, the realization of all Scarlett's ideals, in which Rhett and Scar lett enshrine their garish passion. In contrast, sudden lyrical shots lighten the cinemagnificence. Technicolor (using a new process) has never been used with more effective restraint than in Gone With the Wind. Exquisite shot: Gerald O'Hara silhouetted beside Scarlett against the eve ning sky at Tara while he propounds to her the meaning of the one thing she has left when everything else is wrecked - the red earth...

Author: /time Magazine | Title: Cinema: G With the W | 12/25/1939 | See Source »

Included are many of the properties used in the technicolor film, produced last year, including a hand-painted rubber shovel used in the graveyard murder scene, a balsa wood cane used in a fight sequence, Injun Joe's wig, and one of Bocky Thatcher's costumes...

Author: NO WRITER ATTRIBUTED | Title: Film Exhibit at Robinson Hall Shows Hollywood's Production Technique | 10/20/1939 | See Source »

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