Word: technicolorfully
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...relying on a gimmick to sustain interest in current hits: hiring pop-identifiable personalities to take over major roles. To wit, Debbie Reynolds will replace Raquel Welch who replaced Lauren Bacall in Woman of the Year. Teenswooner Andy Gibb is now headlining Broadway's Joseph and the Amazing Technicolor Dreamcoat, and yes, no less than Bert Convy, the chirpy host of TV's Tattletales, is replacing Raul Julia for two weeks in the musical Nine. Of all the recent replacements, however, the most interesting may be Morgan Fairchild, 32, who last week joined the cast...
...spoken dialogue, unless you count Pontius Pilate yelling. "Twenty-two! Twenty-three! Twenty-four!" while Roman guards put Jesus to the lash. The rest is music numbers of the sliding, dazzling quality that marks the composer's better-known Evita and the lately revived Joseph and the Amazing Technicolor Dreamcoat...
With this month's opening of Cate in New York, Webber now has three shows on Broadway (Joseph and His Amazing Technicolor Dreamcont is the third). Each rolls onstage to packed houses, each rolls off leaving a wealthier producer. Perhaps the Harvard Corporation could convince Midas-touch Webber to compose a ditty of two for the University's fund-raising drive, though Derekim sounds too much like a banana to succeed anywhere outside Cambridge...
...took Broadway's breath away last season with their monumental Nicholas Nickleby. And at age 34, Composer Andrew Lloyd Webber has achieved the unprecedented feat of having three musicals playing simultaneously in London (Evita, Cats and Song & Dance) and New York (Evita, Cats and Joseph and the Amazing Technicolor Dreamcoat...
...Practical Cats, a collection of witty verses the poet wrote in the 1930s for the amusement of the children of his relatives and friends; and music by Lloyd Webber, currently the most successful composer for Broadway and the West End (Jesus Christ Superstar, Evita, Joseph and the Amazing Technicolor Dreamcoat). In London, Cats has been a sold-out smash since it opened in May 1981. But the New York version "will not be a clone of the other," says Producer Cameron Mackintosh. Four main characters have been cut and others merged. Four songs have undergone major rewrites. Other numbers have...