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Word: technicolorfully (lookup in dictionary) (lookup stats)
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Calamity Jane (Warner) is a good picture to come in late on. In that way the moviegoer can hear a little amiable shouting by Doris Day and Howard Keel, soak up some pleasant Technicolor, and leave under the illusion that the yammering chaos of the plot is put in order by something he missed in the first reel...

Author: /time Magazine | Title: Cinema: The New Pictures, Nov. 23, 1953 | 11/23/1953 | See Source »

Also on the bill is Walt Disney's first try at CinemaScope, a Technicolor cartoon called Toot, Whistle, Plunk, and Boom. Though the cartoon shows a strong UPA influence, it clings to the saccharine sentimentality that has often plagued Disney. Cluttered with tweeting birds and comic cave men, the wide screen loses its panoramic effect in a flood of blaring music and garish color...

Author: By Harry S. Kane, | Title: How to Marry a Millionaire | 11/23/1953 | See Source »

...about a white man in the jungle with two women. It makes up for its lack of big-name players by superior typecasting, and almost succeeds in hiding the fact that its characters are crude studies in black and white by keeping them almost incessantly black and blue-in Technicolor...

Author: /time Magazine | Title: Cinema: The New Pictures, Nov. 2, 1953 | 11/2/1953 | See Source »

Originally entitled Red Dust and set in the Orient, Mogambo has now been converted into the latest in a series of technicolor African epics which includes King Solomon's Mines, The African Queen, and The Snows of Kilimanjaro. Following the example of its predecessors, the film devotes considerable footage to sweeping shots of the varied flora and fauna of Kenya and Tanganyika. Unfortunately, even a panoramic screen and stereophonic sound cannot destroy the feeling of having seen all this before. Leaping gazelles, prowling lions, and flamingos rising against an orange African sunset are getting just a little commonplace...

Author: By J.anthony Lukas, | Title: Mogambo | 10/31/1953 | See Source »

...script (Gilliat worked with Leslie Baily, whose Gilbert & Sullivan Book was a 1952 bestseller) have deftly wired them all together to make a charming, if slightly artificial musical forget-me-not. Some of the charm is due to the spirited stuffiness of the Victorian settings and the muted Technicolor. Best of all, several members of the famed D'Oyly Carte company (Martyn Green, Thomas Round, Gron Davies) give silken-fine performances...

Author: /time Magazine | Title: Cinema: The New Pictures, Oct. 26, 1953 | 10/26/1953 | See Source »

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