Search Details

Word: technicolors (lookup in dictionary) (lookup stats)
Dates: during 1940-1949
Sort By: most recent first (reverse)


Usage:

...Frenchman's Creek," from Daphne du Maurier's novel of the same name, isn't a bad yarn, but Paramount's production is a little too long-winded and self-conscious. Technicolor is brilliantly used, however, and largely compensates for the picture's weaknesses...

Author: NO WRITER ATTRIBUTED | Title: MOVIEGOER | 12/12/1944 | See Source »

...other hand, although Miss Fontaine is eminently suited for Technicolor, her acting is often painfully overdone. She has a wonderfully expressive face, which she uses to full advantage in moments of excitement, but she lacks restraint in quieter scenes. De Cordova hasn't the spark that makes a buccaneer real...

Author: NO WRITER ATTRIBUTED | Title: MOVIEGOER | 12/12/1944 | See Source »

Father Day, rambunctious kingpin of Broadway's five-year-young Life with Father, fetched a record price to splutter in Technicolor for Warner Bros. Warners will give the owners (Mrs. Clarence Day, Producer Oscar Serlin, Dramatists Howard Lindsay & Russel Grouse) $500,000 down and half the gross, cannot release Father before 1947, must obey the owners' Ten Commandments (sternest commandment: thou shalt not film any script of which we disapprove...

Author: /time Magazine | Title: People: People, Dec. 11, 1944 | 12/11/1944 | See Source »

...help the soldier hero (Michael O'Shea) win a sham battle and a promotion; Mr. O'Shea and Vivian Elaine handle the love interest, and one of the Cole Porter songs, plus six fair-enough new non-Porter items. There are some pleasant essays in low-keyed Technicolor and sculptural cross-lighting in the dance numbers. Phil Silvers combines a daftly likable energy with some blurrily focused comedy...

Author: /time Magazine | Title: Cinema, Also Showing Dec. 11, 1944 | 12/11/1944 | See Source »

...solidest single achievement of the movie, in fact, is to give the Smiths something to be sorry about: the real love story is between a happy family and a way of living. Technicolor has seldom been more affectionately used than in its registrations of the sober mahoganies and tender muslins and benign gaslights of the period. Now & then, too, the film gets well beyond the charm of mere tableau for short flights in the empyrean of genuine domestic poetry. These triumphs are creditable mainly to the intensity and grace of Margaret O'Brien and to the ability of Director...

Author: /time Magazine | Title: The New Pictures, Nov. 27, 1944 | 11/27/1944 | See Source »

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