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Word: technicolors (lookup in dictionary) (lookup stats)
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...With the re-release of "Gone With the Wind" last summer, I (and every octogenarian in the woodwork) thronged the theaters to see Clark Gable in his original technicolor splendor. To the words, "Frankly, my dear, I don't give a damn," I found myself in cinematic raptures that almost resulted in my gagging on a popcorn kernel. In fourth grade, when every other girl in my class aspired to be Paula Abdul, I wanted to be Scarlett O'Hara. During this formative time, I underwent a mercifully brief period where I let Scarlett's Georgian accent bleed into...

Author: By Terry E-E Chang, | Title: Endpaper: Play it Again, Sam | 3/4/1999 | See Source »

...vocal tracks that could not be reproduced in a live setting--there was never any expectation of replicating the studio magic on stage. But the group provided no substitute for the irreproducible, no extra beeps or stage props or surprise supplementary music. Manson left the viewer with the impressive Technicolor image of a fluid, prancing carrot-top frontwoman; Garbage left the stage without making a lasting impression...

Author: By Peter A. Hahn, CRIMSON STAFF WRITER | Title: Morissette, Manson Match Music in Decibel Death Duel | 2/26/1999 | See Source »

When it comes to securing the succession, Hillary may be even more valuable to Gore than her husband. Consider what she can do on the campaign trail. Unlike Clinton, whose Technicolor campaign appearances beside Gore often make the Vice President seem drawn in black-and-white, Hillary energizes Gore without overpowering him. She represents what people like about Clinton's presidency without reminding them of what they don't like. She can raise buckets of money. And she can connect with people on the very issues--children, families--that people have trouble associating with Gore...

Author: /time Magazine | Title: What's Next For Bill and Hillary Clinton? | 2/15/1999 | See Source »

Artistically, the 1930s were Disney's best years. He embraced Technicolor as readily as he had sound, and, though he was a poor animator, he proved to be a first-class gag man and story editor, a sometimes collegial, sometimes bullying, but always hands-on boss, driving his growing team of youthfully enthusiastic artists to ever greater sophistication of technique and expression. When Disney risked everything on his first feature, Snow White and the Seven Dwarfs, it turned out to be no risk at all, so breathlessly was his work embraced. Even the intellectual and artistic communities...

Author: /time Magazine | Title: Walt Disney: Ruler Of The Magic Kingdom | 12/7/1998 | See Source »

Moving from ordinary chat into palacespace is like stepping from grainy Kansas into technicolor Oz. Suddenly you're in a bar, on a beach, in Xena's Warrior Palace. Wandering through these computer-generated spaces are avatars ("avs"), visual markers of a human presence that can be pretty much anything, from a wolfhound to a smiley face, James Dean to your own humble head shot. Click on a spot in the room, and your av reappears there. Type sorry to the guy you landed on, and your contrition appears in a thought balloon above your head...

Author: /time Magazine | Title: The Web's Next Wave of Fun | 11/9/1998 | See Source »

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