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Word: techno (lookup in dictionary) (lookup stats)
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Instead, the pair engages in a dialectical debate about the perils of modernity, focused through an eerily post-colonial conversation in which Lif subtly enslaves Insight with the allure of modern techno-commerce. Does pegging them “conscious rappers” do justice to the scope of their creative project, as much an experiment in form as a social critique...

Author: By Will B. Payne, | Title: Aesop Rock, King Poetic? | 5/4/2005 | See Source »

...personal favorite, a South Park game where you get to kill Kenny). The maroon and mustard yellow color scheme screams ’70s, and the games confirm the vintage factor–both PacMan and Skee Ball were closed for repairs. But never fear: the blaring techno and seizure-inducing flashing lights coming from Dance Dance Revolution, the only machine you’ll have to wait for, will provide sufficient distraction...

Author: By Jennifer P. Jordan, CRIMSON STAFF WRITER | Title: Pinball Wizard | 4/28/2005 | See Source »

...Boat Room,” with its fuzzed out bass effect, where the sound has some bite to it. By not being so goddamned low-key all the time, Pierce creates a balance on these tracks that downplays the soothing effects of the rolling xylophone ambience and techno-glitches. He finally provides a rock solid foundation for himself to sing/float over...

Author: By Amos Barshad, CONTRIBUTING WRITER | Title: New Music: Mice Parade | 4/22/2005 | See Source »

...album does have a pair of highlights, though. “Television Rules the Nation” has a beat cool enough to keep the song interesting, as does “Technologic,” in which a creepy artificial midget-voice repeats a string of ominous techno-words over an ever-changing and equally eerie backing. The latter recalls the frantic acceleration of “Harder, Better, Faster, Stronger,” off of their masterpiece album “Discovery...

Author: By Michael A. Mohammed, CRIMSON STAFF WRITER | Title: CD Review: Human After All | 4/15/2005 | See Source »

Daft Punk members Guy Manuel de Homem-Christo and Thomas Bangalter once seemed like robotic (or at least android) supermen. Their debut, “Homework,” was a catchy disc that mainly hewed to dance-techno conventions. “Discovery” was a daring work that convinced many a listener (myself included) that electronic music could be interesting, catchy and danceable—all at the same time...

Author: By Michael A. Mohammed, CRIMSON STAFF WRITER | Title: CD Review: Human After All | 4/15/2005 | See Source »

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