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Word: tedious (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
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Usage:

...Cunningham's reliance on Events continues to provoke controversy. Ballet Review's Jack Anderson accuses him of disregarding the audience in the name of practicality, and a number of critics have pointed out that a ninety-minute Event, without intermission, can become thoroughly tedious. The final verdict is not yet in, but Cunningham himself upholds the validity of a format which allows for "not so much an evening of dance, as the experience of dance...

Author: By Jurretta J. Heckscher, | Title: Dance on its Own Two Feet | 2/16/1978 | See Source »

...imperfect. In his effort to detail the slow, agonizing life of the aging spy, le Carre has gone overboard, producing a novel of epic proportions that conveys a theme of only moderate importance. What begins as a portrait of tired, dirty, washed-out and disillusioning reality becomes a frequently tedious chronicle of flatulent, hemmorhoidal and unnecessarily repulsive dreariness. The author uses a bludgeon when a tap on the shoulder would suffice--and heavy-handedness goes beyond his unsubtle attempts to expose the spy game. Le Carre's blatant symbolism, his clumsy equation of the declining British Empire with its near...

Author: By Francis J. Connolly, | Title: Complimentary, My Dear leCarre | 11/15/1977 | See Source »

...show, The Act does not deserve it. The book is dental floss inserted with tedious hygienic monotony so as to clear a space for the next molar crunch of song and dance. It is the tale of Michelle Craig (Minnelli) who became a film star slavishly dependent on her producer-husband, Dan Connors (Barry Nelson), lost him and flopped. She is now trying to re gain her career and born-again self-reliance with a nightclub act in Las Vegas - which is what The Act is about...

Author: /time Magazine | Title: The Theater: X Factor | 11/14/1977 | See Source »

...worth twice as much!") and thus a stormy but ultimately fruitful relationship was born. The Marxes, particularly Groucho, had their own ideas about how Marx Brothers movies should be made, and frequently grew exasperated with Thalberg's revisionist notions, which included the resurrection of the serious romantic plotline--a tedious device that had been abandoned after the Marx Brothers' first two pictures "The Cocoanuts" and "Animal Crackers"--and "A Night at the Opera features Allan Jones and To Tell the Truth Grand Dame Kitty Carlisle as a pair of nauseatingly naive and boring singing lovers. But even they...

Author: NO WRITER ATTRIBUTED | Title: There's A Hitch At Quincy | 11/3/1977 | See Source »

Equus is an even more tedious movie than it had to be. Usually an energetic film maker, Director Lumet (Network) seems to have thrown up his hands on this one. He shoots Shaffer's original stage script as is, to the point of having characters address monologues directly to the camera. The play's gory climax-the blinding of six horses-is rendered realistically, not mimed as it was onstage. Rather than enhance Equus, Lumet's fidelity to the text accentuates every flaw...

Author: /time Magazine | Title: Cinema: Horseplay | 10/31/1977 | See Source »

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