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Then the hard work begins. Once they enter the damaged area, investigators will face the tedious process of finding chemical traces and fragments of the vehicle to help identify the type of bomb. Most well-known terrorist groups have their own "signatures" -- characteristic explosive compounds, detonators and even device designs. If investigators find enough clues, "they can detect who made this particular bomb," says Professor Robert Phillips, an expert in terrorism at the University of Connecticut. "They're able to detect even individual bombmakers' ways of doing things, of placing wires, of placing fuses, how they put the whole thing...

Author: /time Magazine | Title: Tower Terror | 3/8/1993 | See Source »

Haste eventually fails for one of Diana's suitors, Baron Waste, a Scottish officer whose role in the plot is never quite clear. Haste and Waste finally get together in a long dungeon scene, the most tedious of the show...

Author: By John A. Cloud and Beth L. Pinsker, S | Title: AN EVENING WITH KNIGHTS IN SHINING DRAG | 3/1/1993 | See Source »

Under the new regulations, students not earning income will still have to file 1040 income tax forms and a personal information sheet this year, according to Seamus P. Malin '62, director of the International Office at Harvard. "It's tedious and unnecessary paperwork," Malin said...

Author: By Marion B. Gammill, | Title: IRS Ruling Causes Added Paperwork | 2/12/1993 | See Source »

...encounter; and as they pile up we decide C- (Harvard being Harvard, we do not give D's. Consider C-a failure.) Why? Not because they are a sign the student does not know the material, or hasn't though creatively, or any of that folly. They simply make tedious reading. "Locke is a transitional figure." "The whole thing boils down to human rights." Now I ask you, I have 92 bluebooks to read this week, and all I ask, really, is that you keep me awake. Is that so much...

Author: NO WRITER ATTRIBUTED | Title: A Grader's Reply | 1/20/1993 | See Source »

Apart from its knuckle-breaking difficulty, the piece presents a fundamental challenge: how to handle the repeats of Bach's 30 variations without becoming tedious. Glenn Gould solved the problem by skipping most of the repeats in his landmark 39-minute studio version, recorded in 1955. Feltsman has found another way. In addition to changing the dynamics, articulation and ornamentation of the repeated passages, his 79-minute interpretation departs radically from the usual approach by shifting octaves and even reversing the voices by crossing hands on the keyboard. The result is an electrifying performance -- technically dazzling yet infused with romantic...

Author: /time Magazine | Title: A Golden Goldberg | 1/18/1993 | See Source »

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