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Word: tedium (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

...inherent drama. They cast away the succulent flesh and offer the reader dry bones, coated with an insipid sauce of superfluous verbiage. They reject the flashing, illuminating phrase, which can make an unknown foreign statesman come vividly alive, or a dash of wit which may relieve the tedium unavoidably contained in much important news...

Author: /time Magazine | Title: The Press: British Deplorer | 4/28/1967 | See Source »

...masses of people passing within speaking, within touching distance of each other--all muttering gibberish, eyes glazed, isolated. Truffaut cops out, He converts into a robot the hero he sets out to humanize. The music swells up and insists: be exhilarated! That's after 90-odd minutes of tedium...

Author: By Joel Demott, | Title: Fahrenheit 451 | 3/2/1967 | See Source »

...course, Goldberg is not the kind of public servant who arouses deep feelings about him either way. He repeats his oft-garbled message to the point of tedium in a deep, almost rueful. Midwestern monotone. In an interview during his stay at Harvard, he spent most of a half-hour looking at the floor, occasionally gesturing weakly with his hands. Questions about American policy simply don't excite the U.N. Ambassador -- he just returns the line one expects in those tired, dull, even-paced tones. Never a smile; the same pitch all the time...

Author: NO WRITER ATTRIBUTED | Title: Arthur J. Goldberg | 2/28/1967 | See Source »

...good photography, and an excellent performance by Anouk Aimee, serve as counterweights for this film's amateurish bumbling. Without them and without the recurrent outcry of an unspeakable musical score, La Fuga's every audience might find merciful numbness from what now is a laser ray of cruelly focused tedium...

Author: By Jeremy W. Heist, | Title: La Fuga | 10/24/1966 | See Source »

...prose, particularly the fiction, is disappointing. Gregory Dalton's "The Beard Lady," told in a kind of backdoor Joyce via Sebastian Dangerfield, has the feel of a lengthy anecdote with a flat punchline; Frederick Field's more successful story wears on into tedium, and is perplexingly structured...

Author: By Stuart A. Davis, | Title: The Boston Review | 10/20/1966 | See Source »

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