Word: teen
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Dates: during 1980-1989
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...play act like lovesick teenagers, comically defusing potentially tense moments. Portia (Alissa Reiner) and Nerissa (Beth Turner) giggle like schoolgirls at a slumber party while they make fun of Portia's suitors in words and gestures. Chris Duffy's Bassanio is always wide-eyed and bewildered, looking like a teen on a first date. While he declares his love to Portia, Nerissa and Gratiano (John C. Buten) make puppydog eyes at each other and blow kisses from opposite sides of the stage...
...many of the Buckners' friends the explanation just didn't ring true. They knew Kirk as a good-natured teen, devoted to his family, who seemed incapable of such cold-blooded violence. "I'd seen him with his brothers and how he loved his mother," says Neighbor Mary Shoemaker. Her son Billy, 15, was a close friend of Kirk's and once saved him from drowning. "I never thought Kirk did it," he says...
...same conventional plot devices that his movie ostensibly tries to subvert. There's a scene where Saskia Post, as Hutchence's girlfriend Anna, drives around in a jealous snit because her boyfriend has kissed someone else. It's a scene that would fit better in a John Hughes teen flick. Dogs is at its most banal during the infuriatingly run-of-the-mill sex scenes between Hutchence and Post. Blue Lagoon had more spice in its sex life...
Phil Alden Robinson, the writer-director of In the Mood, does not seek even the modest parable. He is all amiability recounting the true tale of "Sonny" Wisecarver, the 1940s California teen who twice eloped with older women and became a media sensation. Patrick Dempsey, Talia Balsam and Beverly D'Angelo agreeably impart the message that adolescent sexual energy can cheerily compensate for lack of sexual sophistication. But one cannot help feeling that there is a wicked craziness in their odd couplings that escaped a directorial eye looking merely for goofiness...
...originals, with their booming bass lines. Only at a concert with Jackie Wilson and Eddie Cochran does La Bamba come alive as a sharp tribute to '50s rock from some sons of the pioneers. The rest of the movie plays like a 106- minute version of a teen ballad: Donna in the easy-listening remix...