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Word: teen (lookup in dictionary) (lookup stats)
Dates: during 1990-1999
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Usage:

...true art. Indeed, it became clear to the most prestigious publications that the Backstreet Boys had something unique that their predecessors lacked, even The New Kids on the Block (and who ever thought they'd go out of style?). The Boys soon dominated the magazines of the avant-garde--Teen People, YM, and the great standard-bearer of them all, Tiger Beat...

Author: By Frankie J. Petrosino, CONTRIBUTING WRITER | Title: Grammy Watch | 2/19/1999 | See Source »

...coming back! It has been said that the 80's are coming back with all these teen movies. What is this gesturing towards...

Author: By Shara R. Kay and Jonathan S. Paul, S | Title: Don't Be an Asshole | 2/18/1999 | See Source »

...know. I think the teen movies of the 80's were probably a little better, and I'm not saying that just because I grew up at that time. But you know what? Actually, on second look, a lot of them were really lame. I am so shocked that my generation is so into "The Breakfast Club." I am really embarrassed...

Author: By Shara R. Kay and Jonathan S. Paul, S | Title: Don't Be an Asshole | 2/18/1999 | See Source »

...audience: the protagonists are boys just out of high school struggling with the questions of adjustment to adult life and the formation of adult identities. But, also as in a soap-opera, the setting is unusual enough to excite the audience to interest; in the case of most television teen soap-operas, what makes the setting unusual is a remarkably generalized beauty, a kind of atmospheric attractiveness that immediately romanticizes the proceedings, however trivial. Here, there's a quite different kind of exoticization of the banal: these post-pubescents are forced to grow up in Israel--and they're Orthodox...

Author: By Joshua Perry, CONTRIBUTING WRITER | Title: Twenty-Love in Jerusalem | 2/12/1999 | See Source »

This energy owes much to the script, whichwisely--in the best teen soap-operatradition--does not dwell for too long on anyparticular mini-conflict but also to the actors,who as a group were much better with movement andmelodramatic expressions of emotion than withsubtle feeling and delivery. Matt MacInnis '02(playing Jason Rosner) is a very good andconvincing screamer; Henley-Cohn is a fine stagepresence, and has a considerable amount of(misplaced, in this play) sex appeal; and JayChaffin '00 (as the rebellious Elliot Dachs, butreminiscent of nobody more than Seinfeld's George)has a very good sense of comic...

Author: By Joshua Perry, CONTRIBUTING WRITER | Title: Twenty-Love in Jerusalem | 2/12/1999 | See Source »

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