Word: teething
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Dates: during 1950-1959
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Down in Number. Lewis' most forward-looking contribution to the U.S. was his acceptance of labor-saving machinery for an industry that was in decline. In the teeth of competition from natural gas and oil, Lewis wrote the contracts to help the coal owners, came out unequivocally for automation and higher productivity even though that meant redeployment of many of his miners and a faster decline of his mighty U.M.W. from 600,000 after World War II to 430,000 today...
Each morning around 9:30, Roy Allison Roberts, his teeth clenching one of the dozen Corona-Coronas he smokes daily in defiance of his age (72) and his doctor (who allows him six), climbs out of his car before one of the homeliest buildings in Kansas City, Mo. The building quarters the Kansas City Star and its companion paper, the morning Times, and Roy Roberts is the boss. Neither he nor the building looks the part-nor, for that matter, does the Star look much like the usual daily newspaper. Roberts is rumpled and jowly, the very image...
There was nothing unusual in the fact that John W. Hay, 49, was "a dental coward" and neglected his teeth so long that for two months he had to spend two evenings a week and several hours each Saturday in the chair. What was unusual was that his dentist, knowing that Hay was president of Los Angeles' American Hospital Management Corp., prodded him into doing something about it. Said the dentist: "Why don't you get us a dental hospital in Los Angeles? Then a whole job like this could be done in two hours...
Amen's other self, the darker and deeper one, is best revealed by the large, dramatic print of Adam. In contrast to Michelangelo's noble idealization, this First Man is conceived as a brute. Above his diminutive head, which is dominated by a circle of teeth and a single, piggish eye, he raises a jagged sword. His free hand, meanwhile, hangs ape-like to his knees. Defined in bold line against a blank background, Adam makes a powerful and impressive figure...
...Sartre's Communist theme would have chilled most network programmers, WNTA's earlier choices would have set their teeth to chattering. So far, The Play of the Week has dealt with such themes as drunkenness and sexuality in a priest (Graham Greene's The Power and the Glory), sterility and infidelity (John Steinbeck's Burning Bright), infanticide (Medea, with Judith Anderson), and clerical tyranny (Paul Vincent Carroll's The White Steed). Says Producer David Susskind: "We have none of those pernicious and aggravating conditions and taboos that you get everywhere else on TV." Most memorable...