Word: telemann
(lookup in dictionary)
(lookup stats)
Dates: during 1960-1969
Sort By: most recent first
(reverse)
FRANCESCO GEMINIANI: CONCERTI GROSSI, OPUS 7 (World Series). For the baroque buff who wants to be a bit more recherche than, say, a Telemann fan, Geminiani might offer just the right gambit. Elegant and more expressive than many of his contemporaries, he is given a good hearing by that satin-stringed Italian chamber group called simply I Musici...
Tiny Telemcmn. Operating in their cheerfully freewheeling fashion from offices in a drab mid-Manhattan brownstone, the two managers have gone from a line-up of eleven events in their first year to 72 in the coming season-among them a "Tiny Telemann Festival," honoring the baroque composer, and four programs of Viennese music, to be played by Viennese pianists. Now their expanding interests are rapidly encompassing the dance, drama, films and children's programs. Whatever it is, Hoffman insists, "if you have a good-quality product, you can find an audience...
...KRAINIS: CONCERTOS FOR RECORDERS (Mercury). The ancient instrument, beloved by Shakespeare and Pepys, now serves to introduce untold thousands of children and adults to the joys of producing music; so it is all the more dazzling to hear Krainis' virtuoso display as he whistles through concertos by Vivaldi, Telemann and Handel without a tripped note or an empty breath sucked in-like a lark with the lungs of a lion...
...Easy as Lying. The recorder derives its name from the archaic meaning of the verb "record," that is, "to sing like a bird." Its origins have been traced to the 12th century, but its heyday came in the late 17th and early 18th century, when Bach, Purcell, Telemann, Vivaldi and Handel wrote a wealth of music for it. Shakespeare, Bacon, Milton and Pepys celebrated its endearing combination of solemnity and sweetness, and King Henry VIII was an avid noodler on his collection of 77 recorders. As orchestras grew larger, however, the gentle voice of the recorder was replaced...
...Renaissance an epidemic of flute playing swept across Europe. Henry VIII owned 148 flutes and tootled several hours a day. Frederick the Great of Prussia caught flute fever as a boy, and hid his teacher in a closet to escape the wrath of his flute-hating father. Though Couperin, Telemann, Vivaldi, Bach and Handel wrote stacks of magnificent music for it, the flute in those days was easy to hate. ("You ask me what is worse than a flute?" Cherubini once snarled. "Two flutes!") Like most simple instruments it was difficult to play well, but so easy to play badly...