Word: tells
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...write some of his own, but they were sub-par, to say the least. “People don’t give up land for peace in a deal that comes over the fax,” he wrote on Aug. 19. Hey, I’ll tell you what’s faxed-in: Your metaphors, hombre. (2) Crazed hallucinations! There were some nutso columns this year. On July 8, he had an extended fantasy about something he would call “GreenSinai.com,” where you’d atone for sins by being environmentally...
...suggestion of what the secret is. The secret to ending climate change? Negotiating world peace? Editing copy at the most prestigious journalistic institution in the country and still producing headlines this silly? I still can’t explain any of the three, but I can tell you one thing: it’s not the potatoes. —Marianne F. Kaletzky ’08 is one of the outgoing Arts Chairs. Her secret? IT’S NOT THE POTATOES...
...Christmas Party (Season 3, Episode 10) The forces of good and evil (Pam and Karen) unite in opposition against an even greater evil (Angela). Michael’s political incorrectness achieves a new level of hilarity when he tags his Asian date with a marker in order to tell her apart from her equally Asian friend. Best Line: Michael, “C’mon, we’re going to Asian Hooters.” 3) The Fiesta (Season 3, Episode 13) Oscar is welcomed back to work after a three-month paid vacation he received after Michael...
...before the epic Trojan War breaks out between the Trojans and the Greek Mycenaeans. It follows prince Hector’s futile attempts to peacefully end the war. “You’re meant to know the ending before the play, or I wouldn’t tell you,” says director Alex N. Chase-Levenson ’08. “The title is meant to be ironic, because everyone knows the Trojan War did take place.” The play, however, won’t just cover the epic event...
...observers divide along color lines, in a way that should provide a funhouse mirror reflection of the movie-watching audience. If the film were shot more bravely, it would make us question our own situation piercingly, ontologically. It doesn’t; there are too many visual cues that tell us, “This is just a movie, this is just like any other movie.” We are suspended in the painless world of continuity editing—nothing dare disturb us from our slumber. How can the Hollywood orthodoxy of eyeline matches and the hackneyed methods...