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...drama—were lifted. “Everything was restricted. Afterwards, the drama was written as a celebration of the return of freedom. This parallels the ’80s,” says Poppel. The genre as a whole uses parody and a touch of flamboyance to tell its story, and is notorious for its sexual explicitness. As it was written, “The Way of the World” consists of five acts; although Birnbaum chose to cut an hour of text from the play in order to make it more digestible for today?...

Author: By John D. Selig, CONTRIBUTING WRITER | Title: A Reagan-Era Restoration | 5/2/2007 | See Source »

...instincts tell us to apply the same basic principles to racial dialogue, and in practice we usually do. Even the staunchest advocates of equal opportunity racism must admit that contemporary culture grants a special leeway to public figures who mock their own ethnic group. It is hard to imagine that a white Dave Chappelle would have much success casually tossing around the n-word on national television. Similarly, if a gentile comedian told us to “throw the Jew down the well,” it would lead to an uproar, but when Sacha Baron Cohen?...

Author: By Daniel E. Herz-roiphe | Title: Colorful Language | 5/2/2007 | See Source »

...their vulnerable side. The album is lyrically simple. Some of the songs, such as “Back To Your Heart,” seem to be about the band itself—the trials it underwent, the break-up, the reconciliation, etc. Mascis cryptically sings: “Tell me what you want and I will try to be, everywhere, all the time, think about the future, let the past unwind.” The lyrics come between repeated choruses of “Back To The Heart,” offering an optimistic outlook on the band?...

Author: By Joshua J. Kearney, CRIMSON STAFF WRITER | Title: Dinosaur Jr. | 5/2/2007 | See Source »

...Sunken Garden Children’s Theatre (SGCT) production, an adaptation of “Hansel and Gretel.” “Funny voices, falling down and—Oh, God—what’s the third!? I’m sure Mary can tell you.” “Mike said funny voices, falling down, and what’s the third?” asks Mary E. Birnbaum ’07, Hoagland’s co-director, and the “Mary” Hoagland was referring...

Author: By Ruben L. Davis, CRIMSON STAFF WRITER | Title: Doin’ It For the Kids, Part Deux | 5/2/2007 | See Source »

...side of the curtain. “When I’m the director, I’m powerful because I’m the outside eye,” says Birnbaum, quoting award-winning director JoAnne Akalaitis. Because she is outside a given scene, she explains, she can tell the actors—divas or no—how they can make it better. Considering Birnbaum’s unqualified fondness for the people in the theater community, however, perhaps divas simply don’t exist at Harvard. In fact, the majority of her tightly-knit blocking group...

Author: By Diane J. Choi, CONTRIBUTING WRITER | Title: Mary E. Birnbaum '07 | 5/2/2007 | See Source »

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