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...hell and I'm not going to take it anymore." It's us (the people) versus them (the politicians), and it doesn't matter what primary color you wear. Just as in the closing scene of George Orwell's Animal Farm, even when you look closely, you can't tell the difference between the animals and the people anymore...

Author: /time Magazine | Title: Foley: The Final Straw | 10/7/2006 | See Source »

...this Chorus Line because it dashed all the fears I had that the show's inside-baseball look at the world of showpeople would look cliched and self-indulgent in retrospect. When 17 aspiring dancers line up in front of the godlike director Zach (Michael Berresse) and proceed to tell their life stories, you fear (all over again) a procession of formulaic, encounter-group confessionals. And you do get a little of that. But the amazing thing about the show (Bennett's conception, James Kirkwood and Nicholas Dante's book, Ed Kleban's smart lyrics) is how seamlessly dance, song...

Author: /time Magazine | Title: A Chorus Line: Still Kicking | 10/6/2006 | See Source »

...ratings, in other words, may have declined for its 10th anniversary. But there are ratings and then there are ratings. You may tell yourself you don't watch Fox News. But as they used to say in the old Palmolive commercials: You're soaking...

Author: /time Magazine | Title: What Hath Fox Wrought? | 10/6/2006 | See Source »

...famous question, first used in TFA’s inaugural year, was “What is wind?... Don’t describe it, just tell me what it is.” The recruiters wanted to figure out if the student was confident, if she could think outside of the box, if he would buckle under pressure...

Author: By Annie M. Lowrey, CRIMSON STAFF WRITER | Title: Those Who Can, Teach? | 10/5/2006 | See Source »

...says. Indeed, as important as his VES degree were Bujalski’s extra-curricular hours spent at the Harvard Film Archive or the Brattle. His tastes are broad: ask him what the last good film he saw was, and he’ll tell you “Predator”; ask him about the impact of studio “specialty divisions” like Focus Features, and he’ll tell you that a great film can come from anywhere—the streets, a specialty division, or a big studio.Ultimately, despite their compositional nuances, Bujalski?...

Author: By Patrick R. Chesnut, CRIMSON STAFF WRITER | Title: Unheard Voice of Our Generation | 10/5/2006 | See Source »

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