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Usage:

...actors have worked for consistent characterizations instead of trying for startling effects. Although neither Gustav, the former husband (Marc Temin), nor Adolph (Henry Goldstein) is precisely defined at the first, by the end of the play I felt I knew them...

Author: By Harrison Young, | Title: Two by Strindberg | 12/4/1964 | See Source »

...production's balance, I think, was Gustav. He manipulated Adolph so easily, the transparency of his ploys seemed vulgar. At first I was bothered by his voice--Temin has adopted what sounds like a Texas accent, and at times his are the tones of a small-time politician. But had he been more suave and mysterious, as Strindberg specialists may argue he should have been, the play might easily have seemed foolish. The ordinariness and obviousness are what makes the whole situation so sordid...

Author: By Harrison Young, | Title: Two by Strindberg | 12/4/1964 | See Source »

Also elected: Werner L. Gundersheimer, at Paris, history; Roald Hoffmann, at the GSAS, chemical physics; Eric Martin '58, at the Graduate School of Design, theatre architecture; and Peter Temin, at M.I.T., economics...

Author: NO WRITER ATTRIBUTED | Title: Name Eight Junior Fellows | 4/26/1962 | See Source »

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