Search Details

Word: teminism (lookup in dictionary) (lookup stats)
Dates: all
Sort By: most recent first (reverse)


Usage:

...ostensible theme of the play is anti-semitism, but it's wider than that. It's a psycho-political horror story--rather like The Visit--and involves an enormous amount of character development on the part of one Andri (Carl Nagin). Except for Teacher (Marc Temin) and Barblin (Julie Tolliver) the other parts are basically designed for character actors...

Author: By Harrison Young, | Title: Andorra | 11/6/1965 | See Source »

There is nothing dead-pan about Mare Temin's archy; he delivers his lines with velocity, emphasis, and evident feeling. Although there are places where this is appropriate, there are more, particularly in the beginning, where it is not. Because the audience reacts slowly, it misses entirely some of the good moments that hurry past...

Author: By Helen W. Jencks, | Title: archy and mehitabel | 4/24/1965 | See Source »

Second place prizes were won by Daniel N. Freudenberger '66 of Lowell House and Rochester, N.Y., Marc K. Temin '66 of Eliot House and Cincinnati, Ohio, and John R. H. Vorhies Jr. '67 of Claverly Hall and Casper...

Author: NO WRITER ATTRIBUTED | Title: Boylston Prizes | 4/2/1965 | See Source »

Goldstein played Adolph to fit Temin's interpretation perfectly. He was so serious, so dependent, so blind, that Gustav's control remained absolutely believable. He was pitiful, but never utterly ridiculous. And in his long speech to Tekla, he communicated his frustration so passionately as to show what a man he had once been...

Author: By Harrison Young, | Title: Two by Strindberg | 12/4/1964 | See Source »

Without Miss Allen, however, production would have been a bit flat, for Temin and Goldstein never build to any very intense moment. But as soon as Tekla enters, everything becomes clear: Adolf's anguish, Gustav's talk about guilt...

Author: By Harrison Young, | Title: Two by Strindberg | 12/4/1964 | See Source »

Previous | 1 | 2 | 3 | 4 | 5 | 6 | 7 | Next