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Word: temperance (lookup in dictionary) (lookup stats)
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...Correspondent Marcia Gauger, on leave to teach journalism at the American University in Cairo, was about to conduct a seminar when students from Ain Shams University marched past her classroom windows on their way to the People's Assembly Building in Cairo. "There was no question of their temper," Gauger reported. "They were spoiling for a fight; they were angry...

Author: /time Magazine | Title: EGYPT: The Sound and the Fury of the Poor | 1/31/1977 | See Source »

...phone. For an hour most nights, he conducts a long-distance séance (at $3 a minute) with Ken May, his Australian proconsul, from the 18th century desk in his study. Murdoch can be a telephonic terror. Pubs full of sacked editors in London and Sydney curse his quick temper, his reluctance to dispense praise?...

Author: /time Magazine | Title: THE BATTLE OF NEW YORK | 1/17/1977 | See Source »

...qualities that helped raise him to the White House?carry potential dangers. He does not know the Federal Government or the pressures it creates. He does not really know the politicians whom he will need to help him run the country, and it is far from clear how his temper and his ego will stand up under probable battles with Congress, the clamorous interest groups and the press...

Author: /time Magazine | Title: Man of the Year: I'm Jimmy Carter, and... | 1/3/1977 | See Source »

...mind, Guccione chose Italian Tinto Brass to direct his movie. Virtually unknown even in Italy, despite ten pictures to his credit, Brass had won Guccione's admiration with his last film, Salon Kitty, a spy thriller set in a Nazi brothel. Brass, a Falstaffian figure with a temper as big as his waistline, soon decided that Vidal's script was too bourgeois for his taste. "It was the work of an aging arteriosclerotic," he says. "Vidal redid it five times, but it was still absurd." With the help of McDowell, Brass rewrote the screenplay...

Author: /time Magazine | Title: Show Business: Will the Real Caligula Stand Up? | 1/3/1977 | See Source »

Sadly, in Jeff Rusten's production of A Slight Ache, Gregory Farrell's Edward--fists clenched, temper detonating predictably--is rarely more than a caricature, a man who lost his mind long before the late-summer afternoon when he decides to confront "the figure at the end of the garden." The audience is deprived of Pinter's fascinating study of the way the man's personality disintegrates when threatened by a powerful negative force in the Matchseller. Barbara Borzumato, on the other hand, plays a disarmingly uncomplicated Flora. Her real, repressed self surfaces in the course of her positive reaction...

Author: By Janny P. Scott, | Title: Lost in Translation | 12/8/1976 | See Source »

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