Word: temperas
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Dates: during 1950-1959
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...picture was often brought to nothing by his passion for tinkering. The grand mural depicting the Battle of Anghiari was completely lost because an experimental lacquer, one of Leonardo's latest notions, dissolved. The Last Supper early began to fade, partly because Leonardo chose to use an experimental tempera. Of all his paintings, only two or three, including the Mona Lisa, survive relatively unimpaired...
...Conshohocken in the exhibition catalogue), ten miles from Stuempfig's Chestnut Hill home, is far from romantic to the unpracticed eye. But by painting it from a vantage point overlooking the Schuylkill River, Stuempfig has thrown new light on its smoke-darkened silhouettes. Using a mixed technique of tempera with oil glazes on heavy canvas, Stuempfig gradually built a spacious river town veiled in a warm and somehow sad early morning dimness. The neo-classical composition recalls Corot's Italian landscapes, and its distant, county-courthouse dome might almost be mistaken for St. Peter's in Rome...
...artists, impelled by deep religious feelings of their own, put on a display of 20th Century icons at New York's Fordham University. Their modern icons dealt with the same devotional subjects-Christ Enthroned, The Archangel Michael, St. Nicholas, The Annunciation-as the 15th Century masterpieces. Painted in tempera on cypress or pine, they also had much of the same timeless, static charm...
Useful Yolk. Wyeth's sister Henriette (herself a portraitist) had married Painter Peter Hurd-a fast friend of Andy's. Together Peter and Andy explored the meticulous egg-tempera technique, painting with small brushes on panels, which suits them both perfectly. The technique was standard during the Renaissance, and Wyeth says that "so much hokum has been written about it you feel you have to be a chemist to start on a picture." Wyeth's method is simple: for each day's work he mixes the yolk of one egg with a little distilled water, makes...
...great advantage of egg-tempera is its precision. Thin and fast-drying, it permits none of the slick tricks that oil does, but is fine for detail work and for unobtrusively creating a sense of light. The sky in Wyeth's Young America, for example, has more air than paint about...