Word: tempest
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Dates: during 1910-1919
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...president of the Harvard Advocate, I must protest against the attitude assumed by the CRIMSON regarding the preposterous "tempest in a tea-pot" occasioned by the anonymity of the red-covered Harvard Magazine. It is the policy of the Advocate to "live and let live." The Harvard Advocate has no quarrel with the Harvard Magazine (white). The fact that both strive to be literary papers is, I am aware, excellent ground in which to plant rumors. But the Harvard Magazine reaps in fields other than those from which the Advocate procures its harvest. The Advocate, as one man, agrees with...
Motif From "The Tempest...
...this masque Mr. MacKaye has taken the Shakesperian character of "Caliban" in "The Tempest" as a motif, and through the dramatic action and interludes he symbolizes the struggles of mankind through history and dramatic art to higher ideals of civilization. Only out-of-doors could such an ambitious theme with its pictures and tableaux be presented...
...Masque of Caliban is centered around the "Caliban" of Shakespeare's play, "The Tempest," who is made the symbol of struggling humanity, saved at last through the transforming power of the good and beautiful. The "Yellow Sands" in the masque represent the world of man's effort and aspiration...
...entertainment has enlisted the aid of Mr. Lawrence McCarthy, manager of the Boston Opera House, who has tendered the theatre free and who is planning the details of the performance which he will personally direct. The following distinguished artists and theatrical companies have volunteered their services: Mrs. Fiske, Marie Tempest, Sir Herbert Tree, Edith Wynne--Matthison, Lydia Lindgren, Mary Ryan and company in the second act of "The Hour Glass"; Clifton Crawford, Margaret. Romaine and John Charles Thomas, from "Her Soldier Boy" at the Shubert; Ernest Truex, Alice Dovey, Oscar Shaw and Julia Mills, of the "Very Good Eddie" company...