Word: tempests
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Dates: during 2000-2009
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...Santa Fe Opera last week, two important premieres demonstrated just how potent eclecticism can be. John Eaton's The Tempest, with a libretto after Shakespeare by Music Critic Andrew Porter of The New Yorker, is a rich blend of Renaissance music, jazz and electronics that is surrounded by an uncompromisingly modernist microtonal framework. Another happily eclectic work, Hans Werner Henze's The English Cat, takes an anthropomorphic tale by English Playwright Edward Bond, based on Balzac, and sets it to music that freely ranges from kitschy consonance to acerbic dissonance. Both operas have the kind of unquestioned stylistic integrity that...
...Tempest, being performed for the first time, makes fierce demands on listeners but rewards them with an opera of stark beauty. It may be presumptuous for any composer not named Verdi to set Shakespeare, but Eaton's music passes the test, honoring its source while illuminating and transforming...
...Santa Fe company gives The Tempest a vivid production. The cast is generally excellent, as are the sets and lighting, and Bliss Hebert's direction is tight and focused. Conductor Richard Bradshaw tackles the score with panache, bringing Eaton's music ringing to life...
...absence, that whole project went caput,” said Kit Tempest, a non-resident tutor in Winthrop and HRTV’s technical adviser...
...around. Hoffman, a principal scientist at the technology research firm Atmospheric & Environmental Research, in Lexington, Mass., forecasts a sunny future in which, say, stampeding typhoons could be safely corralled and driven back out to sea. The key to weather control, says Hoffman, is understanding that even the fiercest tempest is a delicate creature. And by exploiting the sensitivity of weather to tiny changes in the environment, Hoffman has successfully tamed two hurricanes, thus saving dozens of lives and billions of dollars in property--at least on a computer...