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...meeting the demand for an "intimate theatre;" Adams House went beyond the traditional scope of House productions to present Alcestis in Sanders Theatre and its Music Society gave Virgil Thomson and Gertrude Stein's opera The Mother of Us All. The Eliot group gave three productions this year, The Tempest, Richard II, and The Merchant of Venice, all of which were very favorably received...

Author: By Frederick W. Byron jr. and Bernard M. Gwertzman, S | Title: Revived Dramatics Activity Parallels Theatre Interest | 4/25/1956 | See Source »

...welcome relief, furthermore, to hear songs with the text set straight through instead of having the phrases repeated a dozen times. Thrown in for good measure were the four tuneful airs for soprano, violin, flute and 'cello that Addiss wrote for last fall's Eliot House production of The Tempest...

Author: By Caldwell Titcomb, | Title: Composers' Laboratory Concert | 3/20/1956 | See Source »

Strongest event for the varsity is again expected to be the two-mile run, where Pete Reider, Dave Norris, and Ralph Perry could all place. Dick Wharton and A1 Wills are capable of winning in the 1000 and the 600 respectively against the formidable opposition of Princeton's Tempest Lowry and Yale's Bob Skerritt, as should Kip Smith in the pole vault...

Author: NO WRITER ATTRIBUTED | Title: Elis Favored to Retain Track Title | 2/21/1956 | See Source »

...many students who are now speaking out against mob rule may well bring about Miss Lucy's reinstatement after the storm has passed. But regardless of future actions, proponents of gradual integration should not be dismayed by the tempest at Tuscaloosa: the disgraceful treatment of Miss Lucy should serve as a lesson in the fine art of integration...

Author: NO WRITER ATTRIBUTED | Title: Tempest at Tuscaloosa | 2/10/1956 | See Source »

Sullivan: Music to Shakespeare's Tempest (Vienna Orchestral Society, conducted by F. Charles Adler; Unicorn). The composer of H.M.S. Pinafore, The Mikado, etc. finished this music in the freshness of his 20th year, and caused his betters to call him a second Mendelssohn. It is easy to see why, although admirers of his operettas will not complain about his later career...

Author: /time Magazine | Title: Music: New Records, Feb. 6, 1956 | 2/6/1956 | See Source »

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