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Word: tempo (lookup in dictionary) (lookup stats)
Dates: during 1990-1999
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Usage:

Until earlier this year, the U.S. seemed to be headed for a more normal rebound, thanks to the brisk tempo of export sales. But then the economy began to suffer from yet another new development: America's growing linkages to the global economy, which has gone into a slump. The world's economy didn't grow at all last year, and is expected to expand only 1.1% this year. The currency crisis that swept Europe last week was a profound symptom of the West's stagnation. Germany's relatively high interest rates, run up by the cost of rapid unification...

Author: /time Magazine | Title: The Long Haul: the U.S. Economy | 9/28/1992 | See Source »

...Bennett can even make over Nancy, an early and particularly personal hit that evokes the memory of Sinatra's first wife, into a singular valentine to first love. Working his way up to One for My Baby, Bennett takes a big chance with a brash, almost R.-and- B. tempo. Sinatra's definitive version was an envoi to a lost love and a derailed life; Bennett's is a swagger, a roguish kiss...

Author: /time Magazine | Title: A Pair Of Kings | 9/21/1992 | See Source »

Arrested Development has an angry, urgent side too, as in the funky, up- tempo cut Fishin' 4 Religion, an attack on black religious leaders. Baptist churches, Speech complains, "don't do a damn thing to try to nurture,/ Brothers and sisters in the revolution./ Baptist teachers dying is the only solution./ Passiveness causes others to pass us by." The group goes further on Give a Man a Fish, a tune whose chorus rings with down-home gospel fervor. "Brothers wit their A.K.s and their 9-mms," Speech raps, "Need to learn how to correctly shoot them./ Save those rounds...

Author: /time Magazine | Title: Rapping Righteously | 8/17/1992 | See Source »

Clinton's Sax Appeal: His campaign needs a change of tempo...

Author: /time Magazine | Title: Time Magazine Contents Page | 6/15/1992 | See Source »

...tone is crystalline, his lines distinctively long and sinuous, full of witty, sometimes startling interjections and exuberant flurries into his laserlike top register, but always settling back into a sleekly lyrical groove. He probes the recesses of ballads like Yesterdays and Imagination with a risky intimacy. On middle-tempo numbers like Rough Ridin' and his own composition Mysterioso, he twists and flashes through the beat with a finger-snapping insouciance...

Author: /time Magazine | Title: The Man Who Walked Away | 5/18/1992 | See Source »

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