Search Details

Word: tempo (lookup in dictionary) (lookup stats)
Dates: all
Sort By: most recent first (reverse)


Usage:

Older songs, like the opening "I Got No Idols" and "Outsider," were revitalized by the new Hatfield sound. The latter, a bit sludgy and tentative on Only Everything, was transformed by an up-tempo delivery and hardcore bass (courtesy of a barefoot and ecstatic Welsh) into a tune which both excited and engaged the audience...

Author: By Jordan I. Fox, CONTRIBUTING WRITER | Title: Hometown Heroine Hatfield Lost in Paradise | 11/21/1997 | See Source »

...high-speed dub. Though Hatfield's examination of new sonic landscapes is laudable, it would be in her best interests to selectively, rather than globally, apply them. The same problem cropped up on Only Everything, a virtual concept album which could have easily been entitled "50 Minutes of Mid-Tempo Tube Distortion...

Author: By Jordan I. Fox, CONTRIBUTING WRITER | Title: Hometown Heroine Hatfield Lost in Paradise | 11/21/1997 | See Source »

...wearing a scruffy work shirt and jeans splattered with paint, enters from the wings, pushing a large broom before him across the dusty floor. Evidently intrigued by the noises made by the rhythmic swish of the broom's bristles against the floor, he begins to experiment with its tempo and pressure, resulting in swishes and taps of varying pitch and loudness...

Author: By Susannah R. Mandel, CRIMSON STAFF WRITER | Title: Eat This, Michael Flatley: 'Stomp' Rolls In | 11/14/1997 | See Source »

Park's extremely fast tempo in the rondo must have challenged the orchestra, but profitably. As the music zipped along, the piano runs were absolutely absolved of any scalar quality, and became bright, voluble utterances. The winds were especially agile and in accord, and the violists and violinists seemed to be listening to each other carefully. The thunderous applause at the finish might have been the doing of a nascent Andrew Park fan club...

Author: By Matthew A. Carter, CRIMSON STAFF WRITER | Title: Lehmann Leads a Magical MSO | 11/14/1997 | See Source »

Although Ween really picks up the tempo only with some horribly repetitive electronica and an absolutely pointless tale in "I'll Be Your Jonny On The Spot," they do break up the monotony of the ocean waves at the album's beginning, adding an uncluttered dimension to the album by simply being basic...

Author: By Peter A. Hahn, CRIMSON STAFF WRITER | Title: Underwater Rhythms: A Mission Impossible | 11/7/1997 | See Source »

Previous | 114 | 115 | 116 | 117 | 118 | 119 | 120 | 121 | 122 | 123 | 124 | 125 | 126 | 127 | 128 | 129 | 130 | 131 | 132 | 133 | 134 | Next