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...Radiant Storm King, who stayed at home, evolved a sound you'd be more likely to sit in your room and enjoy than to thrash to. On Rival Time there are numerous tempo changes and a few failed sonic, or Sonic Youth, experiments. NRSK's successes, however, are more accessible than Frances Gumm's--especially "Phonecall," which my roommate describes as "a good college-rock song that's actually about college." Sample lines: "Are you enjoying all your classes/Running round in the woods on too much acid?" Beat that for a capsule desription of the Five-College Area. New Radiant...

Author: NO WRITER ATTRIBUTED | Title: Steve L. Burt One Chord Wonders | 10/28/1993 | See Source »

...style of the Romanticists is characterized by emotion and imagination and an emphasis on individuality; the play of Classicists is more controlled, more cerebral, more reliant on teamwork. Earl Monroe was a Romanticist; Oscar Robertson a Classicist. Magic Johnson, for all his flair, was a Classicist who controlled the tempo of the game; Julius ("Dr. J") Erving was a Romanticist who played according to his own rhythms. Although he has all the skills and talents of a Classicist, Jordan is a Romanticist. He is a splendid passer and defender, but those skills are subordinate to his individual genius. Any player...

Author: /time Magazine | Title: I'll Fly Away | 10/18/1993 | See Source »

While a more robust recovery would put people back to work faster, the slow but steady tempo has a positive side of its own. Among other things, it gives investors the confidence to put their money in longer-term investments. On Wall Street outspoken bulls insist that the stock market still has plenty of room to grow. Elaine Garzarelli, an investment strategist for Lehman Bros., looks for the Dow to hit 4000 by the end of the year and climb to 4600 in 1994. "My feeling is that any correction would be minor," Garzarelli says. "Interest rates would have...

Author: /time Magazine | Title: How Low Can They Go? | 9/6/1993 | See Source »

...lasted a little longer in a life that was lived harder and faster than most (mood: appassionato; tempo: allegro con brio), Leonard Bernstein would have turned 75 this week. But the polymath pianist, conductor, composer, television personality, Harvard man, Broadway baby and quintessential New Yorker died in 1990, leaving a hole in the fabric of American musical life that many have found irreparable. In the three years since Bernstein's death, sales of his records have doubled, his compositions have started to win greater respect, and his legend has waxed. It's almost as if the great man had never...

Author: /time Magazine | Title: What Becomes a Legend Most? | 8/30/1993 | See Source »

...walking tempo that gathered speed and supported a whimsical clarinet solo inevitably finished in an abrupt minor cadence to start the fourth movement. (This is Bartok, after all.) Throughout the third and fourth movements, Mehta conducted from soloist to soloist in the winds and brass. He often adjusted the meter of his baton strokes to fit the parts that became a continuous string--a real concerto for an orchestra...

Author: By Daniel Altman, | Title: Perlman and Zukerman Mesmerize in the Shed | 8/20/1993 | See Source »

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