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...ahead, taking the risk that it might come up with another Edsel. Instead, Ford's roundish, so-called jelly- bean designs have enticed car buyers who had abandoned domestic makes for more voguish foreign nameplates. First came the restyled 1983 Thunderbird and Cougar coupes and the new 1984 Ford Tempo and Mercury Topaz compacts. When the Taurus (base price: $10,650) and Sable rolled out last December, they became instantly trendy among an important target group: young professionals and growing families. Ford expects to sell about 325,000 of the cars during 1986, an impressive first-year performance. Says Ford...

Author: /time Magazine | Title: Ford Slimmed Way Down and Styled Up | 11/24/1986 | See Source »

...were conceived during Ford's risk-taking days, the profitable company could conceivably lose its daring touch. The pressure will increase as Ford's aerodynamic styling becomes more widely copied and thus less distinctive. Before long, Ford will have to come up with a suitably dramatic successor to the Tempo and Topaz, which have already started to look a bit stale in comparison with their sleeker cousins, the Taurus and Sable...

Author: /time Magazine | Title: Ford Slimmed Way Down and Styled Up | 11/24/1986 | See Source »

...Tigers had planned to utilize a high-tempo offense that relied on their key individuals--but the Crimson's united effort and 17-player depth left them "frustrated," Scalise said...

Author: NO WRITER ATTRIBUTED | Title: Women Booters Tally Once, Tame Toothless Tigers | 10/27/1986 | See Source »

...just don't go out and pick a style off a tree one day," Turner tells Francis. "The tree's growing inside you, naturally." Tavernier has dared to find his new film's style in the cool, dark colors and loping harmonics of bebop, and especially in the laconic tempo of Gordon's speech and walk. Gordon, whose only previous movie gig was a stroll-on in the 1955 melodrama Unchained, commands the screen with the dignity of an exhausted emperor. He mines humor from his fastidious diction, has a ponderous grace and takes pauses that could drive Pinter nuts...

Author: /time Magazine | Title: Cinema: Blue Notes Over Paris 'round Midnight | 10/6/1986 | See Source »

...spectacular sequence, a C3PO-style robot is reconstituted into a rock band -- the leg becomes a guitar, the torso a drum set -- and Jackson kicks into high gear with his We Are Here to Change the World, an up-tempo anthem. Laser beams shoot into the theater; orange light splashes off the rear wall. It is quite a workout. Or, as Producer Lemorande notes, "it's a very dense 17 minutes. It's like desserts. They're so small because they're so rich...

Author: /time Magazine | Title: Let's Go to the Feelies | 9/22/1986 | See Source »

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