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...Bach D Minor Concertowas given a solid performance with Gregory Shatten. There was an occasional disagreement in tempo between solo and conductor and some mechanical-sounding scale passages, but Shatten's playing covered a wide range of emotions. He maintained a beautiful soft volume in parts of the first movement and concluded it with a brilliant cadenza...

Author: By Kenneth Hoffman, | Title: Concerto and Cantatas | 4/16/1974 | See Source »

Maybe Evans tempo is paced by nervousness--he is a worrier, never content for long periods. He perceives himself as a member of an oppressed group rather than as an individual success story, and that has a lot to do with his propensity to turn around and help others. "I tried all of this talk about things getting better. We are in bad shape. Do you know that 2.8 per cent of the doctors, 1.9 per cent of the lawyers, and 0.6 per cent of the engineers in this country are black? That's why it's so important...

Author: By Keith Butler, | Title: The Man With the Fishing Poles | 3/26/1974 | See Source »

...major points. These Martin attacks with invective and some assertions of his own. The "course of the war" is not set by U.S. aid; rather it is set by "the continuous and continuing Communist buildup." In fact, materiel from both Hanoi and the U.S. contribute to the tempo of military action. Martin never directly claims that there have been no South Vietnamese violations of the ceasefire; he attacks Shipler for not presenting "a shred of evidence" of such violations. "The U.S.," he insists, "has no military advisers in South Viet Nam; no advice is given the Vietnamese in contravention...

Author: /time Magazine | Title: The Press: No Truce in Saigon | 3/25/1974 | See Source »

...Torn, Eli Wallach, Charlie Cioffi and Luther Adler as supporting hoods, there is a fair amount of acting ability on hand, but each man seems to be working in a minimovie all his own. Director Lizzani is unable to find in Carlino's ripped-off script a solid tempo from which the actors might take a common beat. As a result, Crazy Joe never lives up to its title, never penetrates the seemingly lunatic ambition of its subject. It is just a random collection of secondhand sensations dimly perceived...

Author: /time Magazine | Title: Cinema: The Littlest Caesar | 3/11/1974 | See Source »

...huge fugue, "in Gloria Dei Patris, Amen," at a breakneck speed which left the audience--and the singers--breathless at the intermission. The last movement, Agnus Dei, was extremely dramatic as the singers' supplications for "inward and outward peace" were interrupted by the trumpet calls of war. The several tempo transitions in this movement were managed smoothly and effectively...

Author: By S.r. Morris, | Title: Late Great Beethoven | 3/6/1974 | See Source »

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