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...young modernists. Featuring the flexible tenor inventions of Joe Henderson and the thoughtful suspensions of Pianist McCoy Tyner, the quintet favors an ambiance of melodic continuity set to disciplined rhythmics. The finest chapter of their musical book is in Verse, a rubato theme that moves into a flowing waltz tempo. Edging into the avant-garde on 8-4 Beat and Black Circle, the instrumentalists whirl gracefully around some unexpected chords. On the quiet ballad Summer Nights, vibes and piano trace shimmering patterns on the surface of a serene pool...

Author: /time Magazine | Title: Television: May 3, 1968 | 5/3/1968 | See Source »

Perched behind the massive console in the audio booth of NBC's Studio No. 4 in Burbank, Calif., Sound Engineer Bill Cole looked a little like an octopus playing the organ. As Singer Andy Williams eased into the opening bars of an up-tempo number, Cole scanned a bewildering battery of gauges and began twiddling and tweaking some of the console's 250 multicolored knobs and switches that are linked to a forest of microphones in the studio. One knob channeled Williams' voice through an echo chamber; others-muffled or brightened various sections of the orchestra...

Author: /time Magazine | Title: Engineering: Cole at the Controls | 4/26/1968 | See Source »

...moon-probably by late next year. The Soviet moon schedule, they point out, was set back a year by the disastrous malfunction of Soyuz 1 (TIME, May 5), which took the life of Cosmonaut Vladimir Komarov. As a result, the Russians have been forced to increase the tempo of space activity. They are now spending twice as much as the U.S., and even hold a spare booster rocket in readiness during each major space shot in case the primary booster fails...

Author: /time Magazine | Title: Space Exploration: Racing for the Moon | 4/26/1968 | See Source »

...musical side, signs of haste were very much in evidence. Mistakes, poor ensemble, and terrible intonation were rampant, especially in the second half. The conductor wisely restricted himself to keeping time, judging by the total failure of all attempts at flexibility of tempo. General unfamiliarity with the score resulted in embarrassing silences between the many discrete sections of music, destroying whatever pace this already tenously organized potpourri might have...

Author: By Robert G. Kopelson, | Title: The Fairy Queen | 4/24/1968 | See Source »

...lower register. Her performance at Holmes unfortunately revealed serious technical problems in handling the music. The Bach solo cantata was the closest to coloratura the Master ever came, and is a tough order for anyone to handle. Wednesday night Bach's elegant roulades were indistinct and slow; the tempo dragged at every soprano entrance. The accompanying trumpet, string quartet, and harpsichord, though. perfectly competent, was unconducted and therefore had major difficulties with ensemble...

Author: By Robert G. Kopelson, | Title: Carlotta Wilsen | 4/19/1968 | See Source »

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