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...Egypt's ex-King Farouk, interviewed by Milan's weekly Tempo, was still looking like the fat of the land, but disclosed that he no longer lives off it. Moaned he: "I lived in wonderful palaces with a thousand-and-one-night atmosphere. But I was never personally rich . . . The revolutionists have seized my private property ... I left Alexandria with the change I had in my pocket." How much change? "A faithful secretary at the last moment slipped ?600 sterling into my pocket." On such a pittance, asked his interviewer, how had Farouk managed to live so high...

Author: /time Magazine | Title: People, Apr. 25, 1955 | 4/25/1955 | See Source »

...sent in anonymously), the judges picked Sinfonia Sacra, by Ramiro Cortés.* Last week, in Manhattan's Carnegie Hall, Conductor Mitropoulos played Cortés' work with the Philharmonic-Symphony. Its first movement (Kyrie) was a slightly stolid development of an oId Mexican tune in slow tempo; its second (Sanctus) was as reedy and antique sounding as a drafty baroque organ; its finale (Dies Irae), driven by busy motoric rhythms, included some fine furious flights of imagination and a paraphrase of an ancient Gregorian Dies Irae...

Author: /time Magazine | Title: Music: In the Prize Ring | 4/18/1955 | See Source »

Concerts of old music tend to elicit in the performers a misplaced picty that results in a persistently dragging tempo. With the sole exception of a 12th-century hymn to St. Magnus, no piece on the program suffered in this respect...

Author: By Caldwell Titcomb, | Title: Adams House Musical Society | 2/18/1955 | See Source »

...first real solo concerto for keyboard, owing to the general prominence and the extended cadenza allotted to it. McIntosh's runs were as even as pearls, and he exerted admirable dynamic restraint throughout (his versatility even extended to playing the horn in the other works). The initial orchestral tempo was sluggish, but McIntosh picked it up in his cadenza and Greenebaum kept it for the closing tutti. The slow movement, for the soloists only, should have had, to be authentic, a cello doubling the bottom line...

Author: By Caldwell Titcomb, | Title: Bach Society Orchestra | 2/15/1955 | See Source »

...first time, after many years of waiting. Italy has a government willing to pass from the defensive to the offensive in this fight against subversion," said Rome's 11 Tempo. The Cabinet announced one project after another: an extensive public-works program to alleviate Italy's chronic unemployment, a big housing program, a new income-tax law providing six-month prison terms for Italy's notorious tax evaders. But after ten months in office, Premier Mario Scelba's government has failed to get even one of its major proposals enacted into law. In Rome...

Author: /time Magazine | Title: ITALY: Immobilismo | 12/20/1954 | See Source »

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