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...range of the book is indeed enormous, covering as it does Napoleon's early life in Corsica, the tremendous activity of his years of power, and the six years of solitude in St. Helena, which are described as fully as any other period in his life. The tempo and the style are swift, an artistic device to convey the energy of the subject. It is successful too in suggesting the development of Napoleon's plans with the progress of his achievements. No premature dreams of world dominion are attributed to the Artillery officer when he is still intriguing unsuccessfully...

Author: By Paul BUDSALL ., | Title: NAPOLEON, by Emil Ludwig. Translated by Eden and Cedar Paul, Boni and Liveright, New York. $4.00. | 2/17/1927 | See Source »

...almost all of them competently, some well--at least one; Edward Allen, in a Buster West sort of tumble, superbly. At the rise of the curtain the play achieves a headlong velocity which it strives to keep up all evening for the most part with good success. This swift tempo is largely due to the chorus, the "Twelve Judy Joyous Joy Walkers", very rightly headlined. Almost everyone of the dozen, besides doing splits, turning cartwheels, and kicking head-high, does a specialty of some sort. Together they frisk and float about the stage with a joyful zest and verve, doing...

Author: By T. P., | Title: THE CRIMSON PLAYGOER | 1/20/1927 | See Source »

...Napoleon of finance who waited vainly for the world to come to his Elba in a garret, who finally stamped forth rashly to regain love and the world when it was too late. The little pauses between lines, the way an actor paces the room, the tempo of dialogue and movement, make all the difference in play production. To this work of Playwright Ibsen's old age, Miss Le Gallienne has given more careful direction than she has to previous offerings of her Civic Repertory Theatre. Egon Brecher, in the title role, is a picturesque figure, a capable actor...

Author: /time Magazine | Title: Theatre: Theatre: Nov. 29, 1926 | 11/29/1926 | See Source »

...that the whole burden of the play must fall. The unfolding of the story which is in reality an unfolding of her mind, a mind wedded to the sea, is a rapid matter, swift, sure and inevitable up to the very close. A Duse alone could maintain the tempo, with no waste gestures, no amateur hysterics which might interrupt the play's relentlessness. Two weeks of rehearsal of such a part sound farewal. Yet that is all the preparation. It is to be supposed, that Huth Taylor must have...

Author: By R. K. L., | Title: CRIMSON PLAYGOER | 10/27/1926 | See Source »

...processes of the student than do many of our present methods of teaching, and examination that lay so much emphasis on subject matter? May it not be that the only way in which the modern man can hope to keep pace with the modern world is to increase the tempo of his, mind as the tempo of the advance of knowledge increases...

Author: NO WRITER ATTRIBUTED | Title: PRESIDENT FRANK OF WISCONSIN--WRITES OF THE REVOLT AGAINST EDUCATION, SAYING LATTER SUFFERS FROM BEING OVERLOADED | 5/25/1926 | See Source »

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