Word: tempo
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...cockiness will enjoy his tempting rock crooning on “Sin Sin Sin.” It seems Williams has finally exorcised the demons of his boy-band roots. By far his strongest single is the reggae-tinged “Tripping.” The funky tempo is met with surprisingly philosophical lyrics like: “What you think is what you’re soon adoring/You don’t want the truth the truth is boring.” Who knew that Britain’s pop master had thoughts past booze and broads? Williams...
...little bit flat in general,” captain midfielder Jen McDavitt said. “It could be the challenge of continually trying to get emotionally excited for games when you’re in a tough streak. We didn’t have the energy, and the tempo of the game wasn’t great. To Dartmouth’s credit, they played a great game.” Harvard opened the scoring early in the first half. A series of passes created a breakaway opportunity on the right side of the field. Senior midfielder Jane Sackovich...
...glides, taps, leaps, and literally flies through the frame. The video opens up to a suit-clad Walken sitting alone in an empty hotel lobby. The music, like Walken’s crisp red tie, is perfectly tailored to his movements, with its quick pulses over a steady dance tempo. As the music starts, he starts bopping his head to the beat, and that characteristic Walken gleam enters his eye.He’s got a lot to gleam about; the man has more pizzazz than Mikhail Baryshnikov, Napoleon Dynamite, and Jennifer Lopez combined. Walken is inexplicably adroit, and appears...
...focused, melodic hooks that have made their influences so successful. The album starts with a limp minute-long guitar intro, hardly the punch in the face that any over-worked A&R talent scout would find appealing. A number of consecutive songs are in the exact same key and tempo, making it difficult to discern one song from the next. Shopping an album like this around, the duo might have difficulty getting signed, let alone selling out arenas anytime soon. ALIVE AND AMPLIFIEDA recent show at TT the Bear’s in Central Square gave the band a chance...
...1997’s “Forever,” the bloated, lifeless double album that marked the start of their slow demise. The compilation’s beats, mostly produced by Wu satellite producer Bronze Nazareth, suck. They all chug along painfully at the same plodding tempo, with the same drums, the same string samples, the same disembodied voice. They are neither funky, nor ominous, nor reminiscent of anything but the worst of Bobby Digital-era RZA, despite what the over-excited liner notes (“Bronze’s beats are all like Rza?...