Word: tempoed
(lookup in dictionary)
(lookup stats)
Dates: during 1950-1959
Sort By: most recent first
(reverse)
...wrote his own for the performance of the Concerto No. 24. They were short and well suited to the work, which he played magnificently. His touch was sparkling or tender as called for, and his interpretation showed meticulous care. The Orchestra was fine behind him, and, except for a tempo disagreement in the last movement, the rhythms were taut and exciting...
Gross did some of his best playing of the afternoon in the next work, Beethoven's Pathetique Sonata. The first movement was crisp and sure, although now and then the tempo wavered; the second was free of the excess of sentiment by which it is so often destroyed; the third was just right...
...Blood" * Beaumont beat out his 20th Century Folk Mass last week for the benefit of his church servers, who clustered around the vicarage piano. Designed for use by a small orchestra, or combo, the Mass sometimes sounds romantic echoes of Sigmund Romberg (the Credo), sometimes switches to a "beguine tempo" (Kyrie, Agnus Dei), sometimes soars in the harmonies of the Negro spiritual ("0 praise God in his ho-li-ness") or thumps with a syncopated bass ("We praise Thee, we bless Thee we praise Thee, we bless Thee"). At several points in the score, instruments are invited to swing into...
Bavicchi's Sonata for violin and Piano (1956) received a well-nigh definitive performance at the hands of Ayrton Pinto and Jacqueline Young. The three movement work is admirably written from the stand point of idiomatic instrumental technique. But the outside movements, despite their fast tempo and apparent busyness, indulged in series of effects and cliches, with a resulting lack of cohesion; the finale seemed to be a chain of rousing stretta-like conclusions without a beginning or a middle. Slow movements are normally a major stumbling block for modern composers, even the established ones, but here Bavicchi had much...
...something of the same trouble. Miss Iselin possesses a quite imposing stage presence, but in this production the emotions which she should be portraying seem swathed in a coating of ice. Her delivery is, if anything, too careful, and she shows too little willingness to vary her rather stately tempo of speaking...