Word: tempoed
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Dates: during 1950-1959
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...United Church has played a vital part in the impressive national drive that has swept through India since the British left in 1947. The tempo of change did not really pick up until 1951, when it became clear than the first Five Year Plan was succeeding. Although India's development has been mainly government run, many civil officials credit the Church with having "showed them how." Among the more interesting reforms the United Church has supported is an educational pilot project involving sociologists, technicians, and village residents. They will attempt to shape industry around village requirements and, if successful, should...
...never settled after the start," is the way Ted Odell explained his boat's victory. Rowing at the high tempo of 36 strokes a minute after the start, Odell's shell staved off a strong drive by Perry Boyden's powerfully rowing eight despite two crabs near the finish...
...here: Boulez call for alto flute, xylorymba, vibraphone, guitar, viola, and several exotic percussion instruments. Four of the nine sections are settings of surrealistic poetry by Rene Char; the contralto Margery MacKay displays here an engagingly warm and sensuous voice. Practically all of the music moves at a furious tempo; this speed, coupled with the wide intervals and the high register of the instruments makes the specific pitch of each note difficult to grasp. This is also the case with Stockhausen, as Robert Craft points out: "For example, we hear a high, loud, staccato note in the oboe; that...
...Marteau one recognizes Boulez' individuality; it is far from being merely French Webern played at high speed. Many listeners will be charmed by the piece--few will be charmed by Zeitmasse ("Tempo"), for woodwind quintet (with English horn substituted for horn). Where Boulez is witty and Gallic, Stockhausen is ponderous and Teutonic. The piece is based on an exceedingly complicated schedule of ratios, educations, and formula borrowed from the forbidding world of electronic music. What the uninitiated listener hears is a strange web of sound, frequently frightening and dense as all five instruments sweep from one extreme of their range...
...death throes; $1,600 for a story on the embalming process. (Il Giorno Editorialist Gaetano Baldacci charged that Galeazzi-Lisi, employing an "aromatic spirits" technique which he claimed had been used on the body of Christ, wretchedly botched the job.) Two Italian dailies, Rome's Il Tempo and Turin's La Stampa, bought Galeazzi-Lisi's second entree for a joint bid of $3,200. Conservative, pro-Catholic Il Tempo printed it, after deleting "certain passages which appeared to us too crude...