Word: tempoed
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...BIRTHDAY PARTY, by Harold Pinter, is a 1958 play written prior to The Caretaker and The Homecoming. Party lacks the dramatic sophistication of tone, tempo and themes of the two later plays; yet the telltale stigmata are all here-dread, panic, menace, mocking comic absurdity, the evasive unwillingness of people to level with each other. Except for Edward Flanders, the American cast is often blunt and plodding when it should be sardonic, cutting and athletic, but Pinter nevertheless provides prickly excitement and a tantalizing quota of questions without answers...
...than the craft of show biz s the art of the popular song. Over the years, she has learned the arcane alchemy through which a tune can be transformed by its treatment. When her warm, smoky voice curls languidly around a lyric or teases it along with up-tempo jazz phrasing, familiar material reveals unsuspected meanings and yields new freshets of feeling. "There are always deeper layers to discover in a song," she says. "That's why I'm never bored." Neither are her listeners...
...With the tempo now in Harvard's favor, Yehia took a 25-footer from outside, which hit the crossbar and bounced back--this time toward Montero, who kicked the ball home for the tie-breaker...
...BIRTHDAY PARTY, by Harold Pinter. In a season that began with unqualified disasters, this is the first qualified success. A 1958 play written prior to The Caretaker and The Homecoming, Party lacks the dramatic sophistication of tone, tempo and themes of the two later plays. Yet the telltale stigmata are all here-dread, panic, menace, mocking comic absurdity, the evasive unwillingness of people to level with each other. Except for Edward Flanders, the American cast is blunt and plodding when it should be sardonic, cutting and athletic, but Pinter provides prickly excitement and a tantalizing quota of questions without answers...
Near midnight, the tempo of arrests and clubbings accelerated. People starting singing all the old Civil Rights songs over and over. They sang because they were scared and because they felt less alone when they could hear their own righteousness and the unity of the group ringing in their ears. They sang because otherwise they would have screamed or cried or run away. They linked their arms and legs, not so much because they didn't want to be dragged away, but because it was cold, they were scared, and holding onto someone else was reassuring...