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Word: tempoed (lookup in dictionary) (lookup stats)
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...Bishop, who confesses that no one can do the show except Paar. "There are many things the show requires-about six things, " Bishop says. "The guest-hosts have had at most three or four. Paar had all of them." The six are, he said: curiosity, naive honesty, sense of tempo, sense of humor, pacing, and a feeling of uncertainty. "Paar superseded any of his guests," says Bishop, "whereas the rest of us depend on who the guests...

Author: /time Magazine | Title: Television: The House that Jack Built | 5/11/1962 | See Source »

...Eternal City was growing weary of the eternal triangle. "This vamp who destroys families and shucks husbands like a praying mantis," said Rome's Il Tempo, should be tossed out of Italy as an "undesirable." But Elizabeth Taylor, 30, and Richard Burton, 36, only went as far as a fishing village on the Tyrrhenian coast...

Author: /time Magazine | Title: People: May 4, 1962 | 5/4/1962 | See Source »

...other triumph of the evening was Mozart's "Jupiter" Symphony, No. 41. The HRO displayed its impressively solid strings and wood-wind ensemble. Senturia followed a sharp initial attack with a fine, deliberate tempo. He concluded the fun of the third movement (Allegretto) with a stately allargando. And in the fugal stacking of themes at the final coda, he delineated each important voice...

Author: By Jorl E. Cohen, | Title: Senturia's Last Bow | 5/1/1962 | See Source »

...untrue. The opening "Air" and two "Gavottes" from Bach's Third Suite in D. Major had the misfortune to introduce dancers encumbered with awkward and ludicrous choreography. A troupe of rheumatic frogs would have been more graceful, although it must be added that soloist Richard Hendrik improved when the tempo picked up in the Gavottes, where Senturia got the orchestra to produce bouncy dynamic contrasts...

Author: By Jorl E. Cohen, | Title: Senturia's Last Bow | 5/1/1962 | See Source »

...clear texture to exploit the score's intricate dove-tailing of motifs. Meistersinger does not employ Wagner's half-mystical interweaving of words and orchestration. Rather, it makes the orchestra a commentator on the drama's events. This Halasz recognized, and gave the orchestra the subtleties of dynamics and tempo demanded by its place in the opera...

Author: By William A. Weber, | Title: Die Meistersinger | 3/16/1962 | See Source »

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