Word: tempoed
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...sophomore Spencer Livingston’s seven goals and a stifling defense anchored by junior goalkeeper Jay Connolly. Harvard’s depth was once again showcased, as seven different players found themselves on the scoreboard. “Overall, we did an excellent job of controlling the tempo,” coach Erik Farrar said. “We were just deeper than they were.” The Crimson looks to build on its momentum at home against Connecticut College this Thursday. HARVARD 12, IONA 9 The Crimson continued its balanced play to defeat Iona in the nightcap...
...game, Harvard was focused and prepared. “In any Ivy League game, it is always a 50-50 game,” co-captain Jana Berglund said. “We knew [Yale] was going to come out hard, and we knew we had to control the tempo.” This is the second year in a row that the Crimson and the Bulldogs went into double overtime. Last year, Harvard pulled off a 3-2 win. Saturday’s game also proved detrimental to the Crimson’s Ivy League standing. Before the matchup...
...worked at a radio station. While I’m not one to complain about free stuff, the forced listening may be directly responsible for my annoyance with the Fiery Furnaces. There was a time when I didn’t mind listening to seven-minute songs with two tempo changes in the first sixty seconds. When the Furnaces sang lyrics demanding that they notarize my will, I thought they were actually kind of brilliant. Now, I want them just to write a song I actually like. On their sixth album, “Widow City...
...slightly more intimidating. Alfa Mega’s appearance is menacing and fits the lyrics well. Surely no one wants to meet him in a dark alley. Busta seems more fascinated by his blinged-out jewelry than his verse. Nevertheless, the beat is catchy, with a strong, fast tempo, and the guest verses add much to the track. Unfortunately, all the unoriginal video reveals is another rapper trying to show that he still knows what life’s like on the street...
...evening’s last piece was Suite No. 2 from Ravel’s longest work, the ballet “Daphnis et Chloé.” The musicians took liberties with tempo and dynamics that would likely have been impossible if dancers had had to keep up, but for the BSO, the piece was a fitting rollercoaster ride of an ending. The balance between the sections of the orchestra was precise in this piece, and the ensemble succeeded in producing a full and lively sound that evoked visions of the ballet’s pastoral, frolicking nymphs...