Word: tenderizer
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Dates: during 1980-1989
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...from a whole slew of great tales of yesterday, you, far away and thither. Playing on an anticipation of the viewer's weak memory, Legend offers us a couple of migrant dwarves straight from Middle Earth, a little-used golden sword on loan from King Arthur, a satanic but tender-hearted Evil (Tim Curry) lifted from Goethe, an outdoorsy-type hero borrowed from Edgar Rice Borroughs (Cruise), a couple of white unicorns stolen from the planet of Pern and a fairy queen cloned from Tinkerbell. Now, 'tis true that no one story or author has a copyright on Good...
Chess, like mathematics and music, is a nursery for child prodigies. Great players often distinguish themselves at tender ages. Before he reached 14, the renowned champion Paul Morphy (1837-84) had reddened the faces of the best adults in his hometown of New Orleans. International Grand Master Samuel Reshevsky, when he was six, toured his native Poland playing two dozen opponents simultaneously and rarely losing. At 14, Bobby Fischer, the game's reclusive genius, won both the U.S. junior and senior championships. But none of these men quite prepared the chess world for the triple-threat Polgar sisters of Budapest...
...AFFAIR: THE CASE OF ALFRED DREYFUS, Jean-Denis Bredin LESS THAN ONE, Joseph Brodsky RAIN OR SHINE, Cyra McFadden THE STORY OF A SHIPWRECKED SAILOR, Gabriel Garcia Marquez THE TENDER PASSION, Peter Gay WISEGUY, Nicholas Pileggi
...tone, such a steely grasp of hallucinatory detail within the ordinary, such a disdain for visual clutter? At their best, the drawings are a mesmerizing conjunction of opposites. On one hand, the patient surface, rubbed and reworked to a silvery bloom punctuated with dark points of attention, anxiously tender and very seductive to the eye; on the other, a kind of silent rawness, a persistent undercurrent of anguish about the worth of what can be seen. It is the very reverse of academic art and the antithesis of illustration...
Welcome to regional-theater cinema, where locale is a crucial character, the pace is measured in eye drops, and everyone on both sides of the camera aspires to the ordinary. As playwright (The Trip to Bountiful) and screenwriter (Tender Mercies), Horton Foote has backpacked over this terrain for two generations. On Valentine's Day, the prequel (though not the equal) of last year's 1918, marks one more stroll through Foote's family plot. Again we find the Vaughn and Robedaux families forcing smiles and small talk as the Great War rages 5,000 miles from their southeastern Texas town...