Word: tenderizer
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Violetta's honest devotion to and many sacrifices for her lover, Alfredo Germont (played by Rafael Rojas), teach the haughty aristocrats (namely Alfredo's father, Giorgio Germont, played by Vasquez) of mid-century Paris how endearing and tender this supposed easy woman can be. The whore with a heart of gold? It's been done, you say. But not to the music of Giuseppe Verdi: the passion and the thrill of his music will make every Mira Sorvino '89/Elisabeth Shue '88/Kim Basinger poseur-hooker seem like a mean-hearted trollop in relation to the radiant and self-sacrificing Violetta...
...previous four collections of short stories (Descent of Man, Greasy Lake, If the River Was Whiskey and Without a Hero) plus a smattering of new stories, Stories holds in one volume the complete spectrum of Boyle's writing. The satiric and the strange, the touching and the tender, the stories always have one trait in common: Boyle's characteristically piercing view of humanity...
...stand up to him. But one little fellow, Flik (Dave Foley), a misfit with big ideas, decides to venture outside the colony and hire some tough guys to fight the grasshoppers. All right, the new hired guns are actually a troupe of circus performers with prima-donna dispositions and tender carapaces. But what Hopper doesn't know can't hurt the ants...
...rooted in pop-folk, but her vocals are richer, and her songwriting is sharper. "I wasn't trying to be contrary or go against type," says Jewel. "I just wanted to be emotionally evocative." On Deep Water she sings with new authority; on Enter from the East she is tender but never weak. There's only one bad song on this CD: Fat Boy, a song about, you guessed it, a fat boy. "Oh fragile flame," Jewel sings, "when no one feels the same." Aieee! The song is a chilling indication of how wrong the rest of this terrific...
Romeo and Juliet was danced by principal dancers Julie Kent and Guillaume Graffin. Julie Kent was, in a word, stunning. Kent's Juliet was extremely delicate and tender and her incredibly thin figure folded and melted around Graffin. Her shy and coy youthfulness came through in each lift and embrace. Kenneth MacMillan's choreography is one of the most passionate that I have seen for this pas de deux. While it included sweeping lifts and movements across the stage, the most moving moments came when the two dancers were kneeling together at center stage and Graffin lifted Juliet over...